film essay
That Joke Isn’t Funny Anymore: Looking for Comedy’s Place in the Modern World
Filmmaker and actor Shannon Plumb struggles with what direction to take in her work when nothing in the world now seems funny.
Rose McGowan’s Open Letter to Scott Baio and Those Like Him
The actress, director and activist calls out '80s TV star Baio on his misogyny, and calls time on him and his Type™.
Jesse Williams, Black Lives Matter and How Filmmakers Can Help Fight Racism in America
Inspired by Jesse Williams' BET speech, writer-producer Mayuran Tiruchelvam on how the film community can aid the Black Lives Matter movement.
How Growing Up Gay and Illegitimate in a Religious Community Made Me the Filmmaker I Am
Oscar-winning director Roger Ross Williams on making movies about outsiders, and his plans to transform the industry from within.
My Adventures with Jeffrey Katzenberg on Honey, I Shrunk the Kids
Stuart Gordon recalls working on the Disney live-action favorite with Katzenberg, who recently moved on from the company he co-founded, DreamWorks.
Playing Cowboys and Indians in France and the Middle East
Shannon Plumb on Thomas Bidegain's Les Cowboys, which updates the Western for the post-9/11 world.
What Making Films in the U.K. Taught Me About Brexit
Penny Woolcock draws on 30 years' experience directing fiction and nonfiction films to give her insight into the current political climate in Britain.
How The Neon Demon’s “Failure” Reveals a Major Problem in Indie Film
Alex Ross Perry on Nicolas Winding Refn's masterpiece, and what it bombing at the box office says about the state of independent film.
My Dinner with Michael
Jim Hemphill recalls a memorable impromptu encounter with one his idols, the reclusive Michael Cimino, who passed away on July 2.
Close Encounters with Abbas Kiarostami
Caveh Zahedi looks back on his interactions with the late great Iranian director, including a creative collaboration that never came to fruition.
The Loneliness of the Black Gay Moviegoer
Stephen Winter, director of Jason and Shirley, on the almost complete absence of black LGBTQ characters in cinema.
Capturing Reality (and Unlocking the Truth) in Documentary
Luke Meyer on Roberto Minervini's The Other Side, his own new film, Breaking a Monster, and ideas of documentary authenticity.











