film essay
The Improbable Genesis (and Unlikely Return) of Meet the Applegates
To coincide with a revival screening in Brooklyn, Michael Lehmann writes about the strange trajectory of his overlooked second feature.
The Politics of Female Orgasms in Hollywood
Natalia Leite explores the problematic way in which American films depict female sexual pleasure.
Finding the Faith, or What I Learned Working with At-Risk LGBTQ Youth
Damon Cardasis on his experiences making Saturday Church, which shows a positive path forward for Christianity in the LGBTQ community.
The Heart of My Art
Visual artist and filmmaker Laurie Simmons on the cinephilia at the core of her debut feature as writer-director.
The Pervert/Genius Problem
Megan Griffiths on what to do with the art created by sexual predators.
[to tell other people’s stories]
Zia Anger gives her personal take on the controversy surrounding David France and his film The Death and Life of Marsha P. Johnson.
A Letter to My 14-Year-Old Self
Lauren Wolkstein, director of the forthcoming The Strange Ones, sends some words of advice and comfort back through time.
Behind Enemy Lines: Documenting the Trump Campaign as an Independent Filmmaker
The directors of Get Me Roger Stone on the scrappy doc techniques they had to employ while making their film about Trump's longtime advisor.
Why I Stopped Watching TV But Made a TV Show
Producer Schoenbrun shares their take on the untapped potential of TV – and also shares the season finale of their show The Eyeslicer..
Let the Healing Begin
Actor-writer-director Jade Jenise Dixon on escaping an abusive relationship, and how writing a screenplay about her experiences transformed her life.
My Brilliant Ideas on How to Fix the Oscars
Chad Hartigan has some thoughts about how to make the Academy Awards better, and you should really read them.
Does a Documentary Have to Take a Stance?
A film critic called me “irresponsible” for remaining objective to the highly controversial subjects of my new film. I have some thoughts.












