film essay
How I Found Abundance Moving from Indie Features to Episodic TV
Maggie Greenwald on how moving from the big screen to the small has allowed her to experience directing in an exciting new way.
David Lynch’s Muse on the Impact He Has Had on Her Life
Musician and actress Chrysta Bell looks back on 17 years of friendship and collaboration with the visionary auteur.
A Ghost Story and My Own Ghosts of the Past
Victoria Negri shares the personal and moving response she had to David Lowery's new movie about memory, loss and time.
How Gregg Araki’s Nowhere Helped Me Survive Adolescence (and Find Myself as a Filmmaker)
Mark Pariselli explains how a debilitating case of flu led him to discover the ultimate teen movie, and how it reshaped how he saw the world.
The True Meaning of Diversity (From the Perspective of a Biracial, Gay Genre Filmmaker)
The screenwriter behind the Final Destination series and the recent Dead Awake gives his take on a current buzzword in Hollywood.
How We Swapped Hollywood for a Remote Farm — and Found Happiness
The directors of the new documentary Good Fortune on how they upended their lives to move to the country, without sacrificing their careers.
That Time I Was Robbed at Gunpoint While Shooting My Documentary
Andrew Cohn recounts a pivotal and dramatic moment from his time making his latest movie, Night School.
David Lynch’s Alternative Facts, or How Twin Peaks is the Only Response to Trumpian Surrealism
At a time when U.S. politics is beyond satire, Matthew Wilder finds a resonant parallel in the unbridled weirdness of Lynch's seminal TV show.
Why the Slow-Burning Genius of Twin Peaks is Perfect for the Golden Age of Binge-Watching
Brea Grant celebrates the return of David Lynch's iconic show and explains why its rhythms fit so well with the current zeitgeist.
Why People Need to Start Taking Comedy Seriously
Handsome Devil writer-director John Butler on the genre's secondary status, and the importance of LGBT stories being fun and funny now too.
John McNaughton Talks Reteaming with Michael Rooker 30 Years After Henry: Portrait of a Serial Killer
About to embark on an adaptation of Flannery O'Connor's "A Good Man is Hard to Find," the director ponders how true that is of Rooker.
Why Indie Film Only Has a Future If We Embrace Radical Transparency
While waiting to make her first feature, Zia Anger dives deep into her complicated feelings about the world of independent film.











