film commentary
Justin Benson and Aaron Moorhead (Spring) Talk Anna Mastro’s Walter
An iconoclastic indie about the son of God (but not Jesus) prompts a discussion of how filmmakers make new myths and remake old ones.
Actor Matt Jones (Breaking Bad) Talks Dan Fogelman’s Danny Collins
The character actor finds a personal resonance in Al Pacino's performance as an aging pop star trying to escape his schtick.
Chris Weitz (About a Boy) Talks David and Nathan Zellner’s Kumiko, the Treasure Hunter
One of two filmmaking brothers discusses a movie by filmmaking brothers that riffs on another movie by filmmaking brothers.
Aaron Katz (Land Ho!) Talks Lisandro Alonso’s Jauja
A onetime fan of self-consciously antagonistic cinema finds much to admire and contemplate in this unconventional, Argentine-set Western.
Calvin Lee Reeder (The Rambler) Talks Jaume Collet-Serra’s Run All Night
A filmmaker with a very particular set of writing skills takes a look at the latest revenge thriller from Liam Neeson.
Actor/Screenwriter Randy Russell Talks Ethan Hawke’s Seymour: An Introduction
The actor's debut film is an affectionate documentary portrait of a little-known (but much-loved) musician, teacher and philosopher.
Etan Cohen (Get Hard) Talks Kenneth Branagh’s Cinderella
At a time when Disney is embracing a new kind of heroine, a writer-director and his 11-year-old daughter discuss Cinderella's return to our screens.
Daniel Schechter (Life of Crime) Talks Adam Carolla and Kevin Hench’s Road Hard
The new film from the prolific and multi-talented Carolla is out now. If you're not excited about it, you've probably just got him all wrong.
Lloyd Kaufman (The Toxic Avenger) Talks Riley Stearns’ Faults
The veteran cult filmmaker turns his attention to a new indie release, fittingly about a man who deprograms cult members.
Lance Edmands (Bluebird) Talks Nicolas Roeg’s Don’t Look Now
The editor turned director breaks down the brilliantly constructed opening sequence of this classic '70s psychological horror.
Joel Potrykus (Buzzard) Talks David Gelb’s The Lazarus Effect
The latest Blumhouse production is a film 14-year-old Joel Potrykus would’ve loved as much as Mountain Dew. But Potrykus isn't a teenager anymore.
TV Writer Chris Goodwin (China, IL) Talks Glenn Ficarra and John Requa’s Focus
During the cinematic dumping ground that is the winter, a Will Smith movie is indeed a welcome thing, even if doesn't exactly reinvent the wheel.











