film commentary
Terence Nance on Why Jacques Audiard’s Dheepan is Essential Viewing
A film with Sri Lankan protagonists set in France is the answer to so much, you should have already seen it before starting to read this...
Terence Davies’ “Old-Fashioned” Sunset Song is Timely and Urgent
Writer-director Stephen Cone, an ardent, longtime Davies fan, connects strongly with the British auteur's latest feature.
Checking in Late to Bates Motel
Horror director Lucky McKee, who's seen Psycho countless times, finally dives into its small-screen spin-off – and finds something remarkable.
Onur Tukel Draws His Own Conclusions About Captain America: Civil War
The indie writer-director (and also illustrator) puts his thoughts on the latest Marvel movie extravaganza into graphic form.
Sworn Virgin and My Own Time Among the Sworn Virgins of Northern Albania
Watching Laura Bispuri's new film, documentarian Alix Lambert recalls her own experiences with women who choose to (or must) live a masculine life.
In Miles Ahead, Don Cheadle Goes 19 Rounds with the System for the T.K.O.
Terence Nance watches actor-turned-director Cheadle battle the white supremacist movie industry / machine / system to get his passion project made.
An Alienating, Jarring, Ironic Fever Dream: In Defense of Batman v Superman: Dawn of Justice
We like our superhero movies fun and uncomplicated, so it's no surprise this subversive, complex and determinedly modern vision has been rejected.
The People v. O.J. Simpson is a Decadent Gumbo of Tabloid Excess and Cultural Commentary
Patrick Brice makes a case for the thrillingly playful (and human) true-crime show from Ryan Murphy and writers Scott Alexander and Larry Karaszewski.
Bulworth, Beatty, Trump and the Dream of the Political Truth-Teller
Jim Hemphill looks back at Warren Beatty's late-'90s uncannily prescient satire of U.S. politics, about a plain-speaking presidential candidate.
The New Movie Gangsters, The Big Short and the Pseudo-Sequel Adam McKay Should Make
Director Adam Bhala Lough on his namesake McKay's Wall Street comedy drama, a surprise 2015 Oscar contender.
“Spotlight Left Me Heady with Love of What Great Movies Can Do”
Richard Shepard, writer-director of 'The Matador,' shares his appreciation for Tom McCarthy's Oscar frontrunner.
"I Thought I’d Given Michael Fassbender a Hard Time on Centurion": Neil Marshall on The Revenant
For the British director, watching Alejandro G. Iñárritu's wilderness epic brings back visceral memories of his own filmmaking experiences.











