documentary
Revisited: The Day Kobe Bryant Died
Filmmaker Matt Yoka looks back on when his first movie, Whirlybird, premiered at Sundance, and the passing of an L.A. icon that same day.
Letting Sleeping Dogs Lie, Or How I Found My Family in China
Documentary filmmaker Jessica Kingdon on how she discovered relatives she never knew she had while making her new film Ascension in China.
Play is a Very Serious Thing
So Late So Soon's editor Isidore Bethel on how the film's subject Jackie Seiden impacted him, both as a filmmaker and an educator.
My Journey to Adrienne
Andy Ostroy on the importance of documentaries and why he made a film about his late wife, Adrienne Shelly.
“At Once Frightening, Violent, Intoxicating, Fragile and Unbearably Tender”: On Bulletproof and Masculinity
Director Todd Chandler on how making his new documentary about school gun violence dovetailed with him becoming a father.
What Count Me In Gets Wrong About the History of Drumming
John Colpitts reviews the new Netflix doc.
Putting Together the Pieces of Nuclear Family
Filmmaker Pisie Hochheim on the complex process of editing Ry Russo-Young’s HBO doc series about her family’s explosive past.
Stuntman: A Ghost Story
Director Kurt Mattila shares the remarkable story behind the making (and releasing) of his documentary on daredevil stunt performer Eddie Braun.
Chasing the Forbidden Truth
Filmmaker Nicholas Brennan on the making of his new documentary, Los Últimos Frikis, a portrait of the Cuban heavy metal band Zeus.
Tiller Russell Talks with Kevin Willmott on the Talkhouse Podcast
The man behind The Night Stalker chats with Oscar-winner Willmott about race, politics, duality, collaborating with Spike Lee, and more.
The Quietude of Eternity: Finding The Village Detective
Director Bill Morrison on archival footage, history and his new documentary, The Village Detective: A Song Cycle, out now in theaters.
How Motherhood Revolutionized My Filmmaking Approach (and How I See America)
Rachel Boynton on the genesis of her new film Civil War (or, Who Do We Think We Are), and why she re-envisioned the way she made documentaries.











