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Talkhouse

Marcus Lindeen’s latest film, <a href="http://pictures.metrograph.com/in-theaters/the-raft" target="_blank" rel="noopener">The Raft</a>, opens in theaters on June 7. He made his debut with documentary feature Regretters, which won the prestigious Prix Europa for Best European Documentary in Berlin, the Swedish Academy Awards (Guldbagge) and the Swedish Emmy for Best Documentary in 2011. His second film, the fiction feature Glorious Accidents, premiered at the Venice Film Festival, winning the prize for Best Medium-Length film. Lindeen’s theatre work has been produced and presented at Sweden’s National Theatre (Dramaten), The National Theatre in Oslo and The Schaubühne in Berlin. In January 2017 he exhibited the art installation The Acali Experiment at Centre Pompidou in Paris. The installation was also presented as part of the CPH:DOX film festival in Copenhagen, where The Raft premiered in 2018, winning the main award of the festival. Since then, the film screened in festivals like IDFA, BFI London, Sao Paolo, Zürich, Melbourne, and Full Frame Documentary Film Festival.

Marcus Lindeen

Film

How I Accidentally Became Just Like the Nemesis in My New Movie

Erik Nelson is the director of <a href="https://www.youtube.com/watch?v=Tmwm4VPW7RY" target="_blank" rel="noopener">The Cold Blue</a>, which airs on HBO on June 6, and the 2017 documentary A Gray State. He is the producer of Werner Herzog&#8217;s award-winning documentaries Grizzly Man, Encounters at the End of the World, Into the Abyss and Cave of Forgotten Dreams. His previous work as a director includes the Harlan Ellison documentary, Dreams with Sharp Teeth, which premiered at SXSW in 2008. (Photo by Galen Fletcher, courtesy Walker Art Center, Minneapolis.)

Erik Nelson

Nostalgia Ain’t What It Used to Be

Under the stage name Solvent, Toronto-based musician and producer Jason Amm has released eight albums. Most recently, he co-produced Electronic Voyager with Fantinatto about the life and work of legendary synth pioneer Bob Moog.

Jason Amm

Music

Electronic Voyager: Retracing Bob Moog’s Sonic Journey

When Hernan Barangan was 15 years old he was diagnosed with Leukemia &#8211; and he beat it. His professional path emerged during the long months undergoing treatment, as he fell in love with cinema. Barangan has since worked on numerous music videos and commercials, as well as produced various multimedia films, including 3 Apartments, a technically and creatively challenging triptych installation film. Returning to the origins of his career, Barangan turned the camera back on cancer itself. The resulting feature film, Cancer Rebellion, follows as he travels to all 50 states, conducting nearly 100 interviews with young cancer fighters. Executive Produced by Roger Daltrey of The Who, <a href="http://www.cancerrebellion.com/" target="_blank" rel="noopener">Cancer Rebellion</a> is now available to pre-order on Amazon and iTunes. He is also currently attached as writer-director on a provocative feature film dramedy titled Something’s Fishy with Springbok Entertainment.

Hernan Barangan

My Cancer Vendetta, or The Long Road to Making Cancer Rebellion

Jill Magid’s debut feature, <a href="https://theproposal.oscilloscope.net/" target="_blank" rel="noopener">The Proposal</a>, is in select theaters through Oscilloscope from May 24. American artist and writer Magid’s work is deeply ingrained in her lived experience, exploring and blurring the boundaries between art and life. Through her performance-based practice, Magid has initiated intimate relations with a number of organizations and structures of authority. She explores the emotional, philosophical and legal tensions between the individual and “protective” institutions, such as intelligence agencies or the police. To work alongside or within large organizations, Magid makes use of institutional quirks, systemic loopholes that allow her to make contact with people “on the inside.” Her work tends to be characterized by the dynamics of seduction, the resulting narratives often taking the form of a love story. It is typical of Magid’s practice that she follows the rules of engagement with an institution to the letter – sometimes to the point of absurdity. She has had solo exhibitions at institutions around the world including Tate Modern, London; Whitney Museum of American Art, New York; Berkeley Museum of Art, California; Gagosian Gallery, New York; and the Security and Intelligence Agency of the Netherlands. She lives in Brooklyn.

Jill Magid

Rendezvous with Akerman

Pamela B. Green is the director of<a href="https://benaturalthemovie.com/" target="_blank" rel="noopener"> Be Natural: The Untold Story of Alice Guy-Blaché</a>, which is now in select theaters through Zeitgeist Films and Kino Lorber. In 2005, Green founded PIC, an entertainment and motion design boutique based in Los Angeles, California. Nominated for an Emmy for the documentary Bhutto, Green has produced main titles, created and advised on internal story sequences and marketing campaigns for films such as the Bourne series, Fast and Furious, The Muppets, Rings and several Marvel comic-book franchises. She has also worked on films such as The Cabin the Woods and The Kingdom. For television and streaming, she has created titles for Supergirl, The Flash and Quantico among many others. She lives in Los Angeles.

Pamela B. Green

How I Set Out in Search of a Cinematic Mystery – and Found Myself

Penny Lane has been making award-winning, innovative nonfiction films for more than a decade. Her latest documentary,&nbsp;Hail Satan?, about the The Satanic Temple, premiered at Sundance and is being released in select theaters by Magnolia from April 19.&nbsp;Her previous documentary features include&nbsp;The Pain of Others (2018),&nbsp;Nuts! (2016) and&nbsp;Our Nixon (2013). She&nbsp;was named one of Filmmaker magazine&#8217;s &#8220;25 New Faces of Independent Film&#8221; in 2012.&nbsp;Lane is currently an associate professor in the Department of Art and Art History at Colgate University, where she lives in a very old house and shows movies in her barn. And yes, Penny Lane is her real name.

Penny Lane

I Finally Made a “Normal” Documentary. Here Is What I Learned.

Emma Tammi is a filmmaker based in Los Angeles. The Wind, a supernatural western horror film which is in theaters now through IFC Midnight, is her first narrative feature as director. Tammi is the Co-Founder of Mind Hive Films and her most recent documentary films include Election Day (EPIX / Blumhouse) and Fair Chase (iTunes/Amazon). Born and raised in New York City, and the daughter of two actors, she grew up in the theatre world. Tammi has worked under a handful of great directors, including Robert Altman, Mel Brooks and Susan Stroman. She is a graduate of Wesleyan University.

Emma Tammi

Alone in the Wilderness

Laura Farber is a documentary filmmaker best known for her ability to draw inspiration from the field as a freelance producer in Chicago. Her production experience spans a variety of networks, including MSNBC, TLC, The Weather Channel, Discovery Channel, Discovery Health, and History. In 2012, Farber launched Lioness Productions, where she is committed to telling character-driven stories on topics she’s passionate about. We Are Columbine is the first feature documentary by Lioness Productions and Farber&#8217;s feature documentary directorial debut. It is now available on <a href="https://itunes.apple.com/us/movie/we-are-columbine/id1451990745" target="_blank" rel="noopener">iTunes</a>.

Laura Farber

How to Talk About Something People Never Actually Talk About

Adam Gussow is the subject of the documentary Satan &amp; Adam, directed by V. Scott Balcerek, which is in select theaters from April 12 through Cargo Film &amp; Releasing. Gussow, a professor of English and Southern Studies at the University of Mississippi, is the author of Mister Satan&#8217;s Apprentice: A Blues Memoir (1998) and Beyond the Crossroads: The Devil and the Blues Tradition (2017).

Adam Gussow

Harlem Blues

Michelle Memran is a filmmaker, writer, and visual artist. As a journalist in NYC, she has written for The New York Times, Newsweek, Vanity Fair, and American Theatre magazine. Memran’s highly acclaimed debut feature documentary on playwright Maria Irene Fornes, <a href="https://www.therestimakeup.com/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.therestimakeup.com/&amp;source=gmail&amp;ust=1626267442316000&amp;usg=AFQjCNG0I6GQcoB9MC_ErN5Ug_fCzNFPmQ">The Rest I Make Up</a>, premiered at MoMA’s Doc Fortnight Series and was called one of &#8220;The Best Movies of 2018” by The New Yorker&#8216;s Richard Brody. As a visual artist, her oil pastel portraits have been commissioned by The New York Times Book Review, as well as by various theatrical and film productions.

Michelle Memran

How I Survived Cancer and Finishing a 15-Year Documentary

Pat McGee is an award-winning showrunner and director in both film and television. His latest film, <a href="https://www.vicetv.com/en_us/video/bernie-blackout-trailer/5eb03836214bfc544c1ddf95" target="_blank" rel="noopener">Bernie Blackout: The Revolution Will Not Be Televised</a>, premieres in VICE&#8217;s &#8220;VICE Versa&#8221; series on May 13. McGee’s feature documentary American Relapse, which he directed with Adam Linkenhelt, won awards at film festivals across the country and was released by Gravitas Ventures. In 2018, Viceland Network picked up McGee&#8217;s original series, Dopesick Nation, a docudrama about the opioid epidemic in Florida. Simultaneous to producing Dopesick Nation, Pat executive produced and directed the YouTube Original feature documentary The Deported, set to premiere in the spring of 2019. In 2017, he sold a feature documentary film to National Geographic Channel, World of Sound, about retinitis pigmentosa, while wrapping up the second season of Pat McGee Pictures’ 24 to Life, which aired on Lifetime, LMN and A&amp;E. Pat’s focus has been on producing “stories worth telling.” He’s grateful for all those who let him into their world to assist in telling their story. He keeps pushing to give a voice to the voiceless, while respecting the art of storytelling.

documentary