Bruce LaBruce

The Canadian auteur shines a light on the excellent but mostly forgotten work of the husband-and-wife filmmaking team from the '60s and '70s.

LaBruce extols the virtues of Frank and Eleanor Perry’s shocking coming-of-age drama that captures the loss of innocence of the late 1960s.

LaBruce inducts the 1980 feminist teensploitation movie starring Tatum O'Neal and Kristy McNichol into his alternative canon.

Talkhouse Film's champion of the cinematic underdog shares his affection for Arthur Hiller's pre-AIDS gay melodrama.

The Canadian provocateur (and champion of misfit movies) examines the campy ennui and genuine horror of ’70s domesticity.

The Canadian provocateur sheds light on Bob Rafelson and Jack Nicholson's less celebrated follow-up to Five Easy Pieces.

The Canadian auteur reconsiders John Schlesinger's expansive take on Nathanael West's classic novella about '30s Hollywood.

In his journey through the alternative canon, LaBruce puts his focus on Michael Tolkin's 1991 fusion of female sexual melodrama and Biblical epic.

The Canadian provocateur (and champion of unfairly neglected movies) focuses on two from the late actress in which she plays against type.

Justin Kelly, director of King Cobra and I Am Michael, on the need to move away from depicting typical LGBT characters on screen.

LaBruce highlights Peter Bogdanovich's unfairly dismissed 1974 Henry James adaptation, a film he considers one of the best of the 1970s.

A bomb on its release, this John Travolta-Lily Tomlin camp feminist melodrama can be mined deeply for covert clues about its two stars' sexuality.