Film
Life in My Hands, Death Before My Eyes
Palestinian director Areeb Zuaiter on Gaza, her new documentary Yalla Parkour, which premieres at DOC NYC tomorrow, and what is yet to come.
“To Know That We Are Not Alone.”
Actor Tom Bateman, who made his screenwriting debut with the new thriller Magpie, traces back his long relationship with storytelling.
My Life in Shitposting
Christmas Eve in Miller's Point writer-director Tyler Taormina pulls back the curtain on his secret body of work as YouTube shitposter.
Three Great Things: Morena Baccarin
The popular actress, who's currently starring in the new action thriller Elevation, on her love of family, books and cooking.
How to Produce a Successful Indie Film in Three Easy Steps (by Doing Everything Wrong)
Producer William Rosenfeld on his unconventional approach to making the horror hit It's What's Inside, which sold for $17 million at Sundance.
Who Am I? Or, Finding My Identity in Cinema
The director of Lost on a Mountain in Maine on how his childhood in Madagascar shaped him into the person and filmmaker he is today.
Three Great Things: Alan Rudolph
The legendary indie pioneer, whose 1999 film Breakfast of Champions is re-released today, shares a trio of personal favorites.
Revisited: Lake Bell Talks with Santigold for the Talkhouse Podcast
Friends Lake and Santi talk motherhood, creativity, and the challenges of balancing the two.
Three Great Things: Stavros Halkias
The comedian and actor, whose new film Let's Start a Cult is out now, on Detroiters, working out and detective novels.
Terrifying and Beautiful: On A Nightmare on Elm Street at 40
For Halloween, Julia Marchese gives some love to her favorite horror movie of all time, which hits the big 4-0 this year.
“Where Else Can I Go?” Or, How I Reckoned With My Movie Almost Completely Falling Apart On Day One
Writer-director Michael Felker looks back on the disastrous first week of his debut feature, Things Will Be Different.
Three Great Things: Guy Maddin
The Canadian auteur, whose new movie, Rumours, is out now in theaters, on a Flann O’Brien novel, postmodern storytelling and his beloved dog.











