Film

Writer-director Neil Jordan, returning with Greta, his first film in six years, looks back on some projects that never quite came to fruition.

Stray writer-director Joe Sill on the initiative that has propelled him forward in his filmmaking career.

Novelist Russell Banks looks back on the first time he watched Truffaut's The 400 Blows, which he will be introducing in NYC this weekend.

Ondi Timoner's WeTalk heads to the Sundance Film Festival for a discussion on how governments and corporations use and collect our online data.

True Blue's writer-director does some frank career self-assessment and envisions a system that is interdependent, not "indie."

In this new column, Miller Costanzo lets her mother pick the movie they are going to watch, despite their very different tastes ...

Jim Hemphill admires the latest addition to the small-screen realm of Law & Order creator Dick Wolf.

Fighting with My Family's writer-director Stephen Merchant traces the roots of his comedy career back to a childhood full of laughter.

At Art Basel in Miami, Ondi Timoner sparks a conversation on how various artistic platforms can shape the way our society views minority groups.

Darren Lynn Bousman, whose new film St. Agatha is in theaters now, on how his son Henry altered his perspective on life and art.

In the 1980s, Patrick's Mandie Fletcher became the sole female comedy director at the BBC. Here she shares some of her journey.

To Dust's Shawn Snyder on how the serendipitous discovery of the 1937 film The Dybbuk had a transformative effect on his new movie.