Film
“I Feel I Am Probably Still an Outcast, but I Ally Myself with the Rebels Who are Strong.”
Kim Longinotto in conversation with friend and fellow British documentary filmmaker Jeanie Finlay.
What I Learned Working on There Will Be Blood
A decade on, filmmaker Michael Tyburski recalls his experiences as a PA on Paul Thomas Anderson’s modern masterpiece.
White Angel / White Devil
Terence Nance presents an abstract for an academic paper to be published in the Fall 2019 edition of 'Black Future Lies.'
Mary Elizabeth Winstead (10 Cloverfield Lane) Talks with Melanie Lynskey (Togetherness) for The Talkhouse Film Podcast
The two actresses cement their friendship by sitting down to share stories of the Hollywood trenches.
Bulworth, Beatty, Trump and the Dream of the Political Truth-Teller
Jim Hemphill looks back at Warren Beatty's late-'90s uncannily prescient satire of U.S. politics, about a plain-speaking presidential candidate.
Despite My Recent Emergency Appendectomy, I’m Live-Tweeting the Oscars for the Talkhouse
Writer-director Jonathan Lisecki will be sharing his unfiltered thoughts on the monochromatic awards show from his "death couch."
Julia Pott is Going to the Oscars and Her Mother Has Been Giving Her Lots of Advice
Maternal wisdom on such sartorial style subjects as sweaters, cool backpacks and dresses designed to cover up aging arms.
Stuart Gordon’s Academy Blues: “Branding Us a Bunch of Old Crackers Does No One Any Good.”
The veteran director kicks off his new Talkhouse Film column by weighing in on the controversy surrounding the change in Oscar voting rules.
The New Movie Gangsters, The Big Short and the Pseudo-Sequel Adam McKay Should Make
Director Adam Bhala Lough on his namesake McKay's Wall Street comedy drama, a surprise 2015 Oscar contender.
“Spotlight Left Me Heady with Love of What Great Movies Can Do”
Richard Shepard, writer-director of 'The Matador,' shares his appreciation for Tom McCarthy's Oscar frontrunner.
"I Thought I’d Given Michael Fassbender a Hard Time on Centurion": Neil Marshall on The Revenant
For the British director, watching Alejandro G. Iñárritu's wilderness epic brings back visceral memories of his own filmmaking experiences.
Horace and Pete, or How Louis CK Saved Cinema with a Goddamn Web Series
Stephen Cone celebrates the multihyphenate genius' stealth project, which goes back to basics to create something entirely new and exciting.











