Film
Aaron Katz (Land Ho!) Talks Bill Condon’s Mr. Holmes
The great detective looks back on his last case in old age — but is it really Sherlock, or just a simulacrum?
Shaul Schwarz (Narco Cultura) Talks Matthew Heineman’s Cartel Land
A filmmaker more than familiar with the territory looks at this doc on Mexican drug cartels and the vigilante movement fighting back against it.
Clay Liford (Wuss) Talks the Problem of the Modern Sequel (and How the Most Unlikely Sequel Ever Solved It)
Studio sequels are defined by a lack of invention and narrative risk-taking, but a bunch of '80s movies — plus one new indie — can show us the path.
Actor and Industry Professional Cat Agent (Uncle Kent 2) Talks Pierre Coffin and Kyle Balda’s Minions
An animation franchise spawns an origin story about its cute yellow critters. But how will it go down with a feline film professional?
Jeff Reichert (Remote Area Medical) Talks Asif Kapadia’s Amy
This impressive documentary portrait of the late singer's life seeks to tell a definitive story, rather than asking what the story might be.
Alex Holdridge and Linnea Saasen (Meet Me in Montenegro) Talk Alan Taylor’s Terminator Genisys
Watching the latest in the Scharzenegger cyborg franchise prompts an unexpected viewing of the first film, and some realizations about action movies.
Zach Clark (White Reindeer) Talks Gregory Jacobs’ Magic Mike XXL
The sequel to Soderbergh's male stripper saga is all fireworks and dazzle. And that's nothing but a good thing.
Novelist and Screenwriter Richard Christian Matheson Talks Jon Bokenkamp’s The Blacklist
When a network TV show audaciously shuns Etch-a-Sketch plotting for genuinely complex subject matter, it's something worth celebrating.
Neil LaBute (Dirty Weekend) Talks Carol Reed’s The Third Man
An all-time classic, now in a newly restored 4K print, has lost none of its magic over the years. And then there's that zither...
Gary Hustwit (Helvetica) Talks Les Blank’s A Poem is a Naked Person
The late documentarian's lost 1974 film about Leon Russell is a mess, but that’s exactly why filmmakers today should be looking to it for inspiration.
Bruce LaBruce (Gerontophilia) Talks Jason Banker’s Felt
Can a film about young woman's violent and self-destructive acting out against the patriarchy make the best of its difficult material?
David Lowery (Ain’t Them Bodies Saints) Talks Seth MacFarlane’s Ted 2
What happens when you want to see the sequel because you really enjoyed the first movie, but then your wife points out you never actually saw it?











