Film
“What Am I Doing Here?”
Director Sonny Mallhi ponders a moment on his new horror movie, Hurt, and how it connects to his long history working in film.
Exclusive Book Extract: Pete Chatmon on Discovering His Passion for Film
From his new book Transitions: A Director's Journey and Motivational Handbook, filmmaker Pete Chatmon reveals his cinematic origin story.
Revisited: 9½ Weeks, Fatal Attraction and Me
Dinette creator Shaina Feinberg on how two infamous and very sexy movies filmed in her childhood home inspired her to subvert the male gaze.
Revisited: What I Learned From Being Geralt of Rivia
Crestone director Marnie Ellen Hertzler on the best movie she saw in 2020 — The Witcher 3: Wild Hunt, a video game from 2015.
Revisited: Edgar Wright Talks with Ron and Russell Mael (Sparks) on the Talkhouse Podcast
The British director sits down for a delightful, movie-centric chat with the subjects of his new documentary, The Sparks Brothers.
Revisited: Three Great Things: Vincent D’Onofrio
The iconic actor, currently playing Jerry Fallwell in The Eyes of Tammy Faye, on what inspires him creatively.
Revisited: “Miyazaki Makes Films for Whole People”: Neil Gaiman on How Do You Live?
In an exclusive book excerpt, we share beloved writer Gaiman’s foreword to the book which is the basis of Hayao Miyazaki’s forthcoming final movie.
Revisited: The Day Kobe Bryant Died
Filmmaker Matt Yoka looks back on when his first movie, Whirlybird, premiered at Sundance, and the passing of an L.A. icon that same day.
Revisited: The Revolutionary Act of (Female) Desire
Showrunner Stacy Rukeyser on why she created her new taboo-breaking Netflix hit, Sex/Life.
Changing the Narrative of How Asians are Represented on Screen
Asian-Australian writer-director Joy Hopwood on her journey from seeing Joy Luck Club as a teen to making her new film Rhapsody of Love.
Postcards From Hollywood: Blowing Up the Papaya with Tarantino
In her latest trip down memory lane, filmmaker Daniela De Carlo recalls an extremely memorable visit to the set of Kill Bill.
A Light in the Darkness
Oscar-nominated screenwriter Virgil Williams on how adapting the memoir A Journal for Jordan transformed in a way he never expected.











