Film

Marie Therese Guirgis, producer of the Steve Bannon documentary The Brink, recalls her darkest day working on the film.

The legendary director, whose new film Dark Waters is out now, on James Baldwin's film criticism, Max Ophüls movies, and one special turtle.

How a moment of personal crisis ignited David Guy Levy’s need to make his new film, The Mandela Effect.

Writer-director Stephen Cone looks back on a movie that changed how he saw cinema, and himself.

Manila Death Squad director Dean Colin Marcial looks at Isabel Sandoval’s new film, Lingua Franca, through a distinctly personal lens.

Animator Dash Shaw on the film he most frequently lends interns to show what can be achieved on very limited means.

Writer-director Andrew Matthews says it’s essential to acknowledge the difference between high art and low art.

Jeremy Hersh, who's currently crowdfunding his debut feature The Surrogate on Kickstarter, makes the case for Cristian Mungiu's 2012 drama.

The guys share some mind-blowing SNL moments, the artistic benefits of boredom, plus Portugal. The Man's most epic onstage meltdown.

Anna Roisman unashamedly speaks out for two movies that, unlike the TV show they spun off from, haven't been embraced by critics or fans.

Ondi Timoner is joined by award-winning documentarian Jacqueline Olive in the penultimate episode of WeTalk Sidewalk.

Jim Hemphill's new Talkhouse column about the hidden gems of VOD kicks off with underrated stuntman/auteur David Barrett's 2012 feature debut.