Film

Filmmaker Adam Kritzer examines the seductive and deeply problematic vision of Todd Phillips' new movie, and Fincher's classic which preceded it.

Chelsea Handler's new special tries to tackle the subject of her own white privilege, but is she better off just passing the mic? Shamir reflects.

Gregory’s Girl director Bill Forsyth on his overlooked 1989 crime caper, in which Reynolds showed he was a great actor, not just a movie star.

Remember that time when the host of The Price is Right and a garage rocker had a good old yak about music?

The creator of Fargo and Legion marks the release of his first movie, Lucy in the Sky, by sharing what he loves most in life.

Alexandre O. Philippe, director of Memory: The Origins of Alien, on how Ridley Scott's 1979 film defied cinematic trends to become a classic.

Or why Daniel Scheinert made his film The Death of Dick Long in small-town Alabama with community involvement and sustainability at the fore.

For actress and writer Mara Wilson, it took seeing the Bard's classic tale of revenge through a Japanese lens for her to truly appreciate it.

The prolific Japanese director celebrates the release of his new movie, First Love, by talking about what makes life better for him.

Comedian Anna Roisman speaks up in defense of a movie with a staggering all-star cast (about older women reading Fifty Shades of Grey).

Richard Gray on how he went from being an Aussie kid who loved Braveheart to revisiting characters from that film in a movie of his own.

Writer-director Angelica Zollo on the subject of her debut feature, Trauma is a Time Machine.