Film

For MDMA writer-director Angie Wang, The Affair and Sharp Objects have helped her see and discuss difficult topics in a new way.

Amy Scott talks accidentally getting stoned in Italy, Roger Ebert, La Dolce Vita, Trump, editing, and her debut feature, Hal.

Kusama — Infinity director Heather Lenz details the obstacles she faced during her resilient attempts to get her documentary made.

Director Robert Greene, his cinematographer and producers break down the images in their new film, and how they used genre to interrogate mythologies.

Occasionally you see a movie and immediately know it's up there with the all-time greats. This is one of those rare times.

The married writer-directors of Let the Corpses Tan on using porn stars in their movies, and working with the iconic Marilyn Jess.

Twins Jonathan and Josh Baker, the Australian directing team behind the new sci-fi film Kin, recall when their beloved family set packed it in.

Dean Fleischer-Camp on the story behind his film Fraud, and what it's been like to show the film to audiences in the current climate.

After writing about yet another of her movies, Bruce LaBruce has finally got Jodie Foster out of his system. Probably.

The director and co-writer of We the Animals discusses putting his film on paper before he made it, and shares storyboards from the movie.

The producer of The Invisible War, The Hunting Ground and The Bleeding Edge on what it takes to tell profoundly important stories.

Two of the The Katydids, the comedy team behind TV Land's hit sitcom Teachers, share how hearing a lot of “no's” set them up for success.