Film
Cathy
For Shannon Plumb, watching Hannah Gadsby's Nanette brings up poignant memories of a teenage friendship.
One Year After Charlottesville, Lessons Learned from Making a Film About the Alt-Right and Antifa
Adam Bhala Lough, director of Alt-Right: Age of Rage, ponders where we stand 12 months after the tragic death of Heather Heyer.
Hannah Fidell (The Long Dumb Road) Talks with Josephine Decker (Madeline’s Madeline) for the Talkhouse Podcast
Recorded at Sundance, the two director friends discuss their new films, race, childhood storytelling games, and much more.
WeTalk — Women of the Web
Documentary director Ondi Timoner leads a panel discussion of innovative online entrepreneurs at the Tribeca Film Festival.
Between Brooklyn and Manila
Manila Death Squad's director on his adopted home and his birth country, and making work that explores the gap between the two places.
A Love Letter to Wanda
Sometimes the sign of a great film is that you don't like it the first time. With Christina Choe and Wanda, that was certainly the case.
What I Learned Working with Jean-Luc Godard, Béla Tarr and Alex Cox
At the end of the day, writes Gavagai's writer-director Rob Tregenza, it's all dependent cinema.
Peace in Chaos: An Introvert’s Story of Speaking Softly in a Loud Business
Jennifer Yuh Nelson, director of the new YA sci-fi thriller The Darkest Minds, on how she went from quiet animator to blockbuster director.
Making Movies, Making Babies (and the Monster Beside Me)
Susanna Nicchiarelli is about to release her new film Nico, 1988, and about to have her second child. She has a lot of thoughts about all this.
My Manson Adventures Making Dark Tourist
David Farrier had a lot of weird experiences making his new Netflix documentary series, but none more so than just after Charlie died ...
Black Thought (The Roots) Talks with Daveed Diggs (Blindspotting) for the Talkhouse Podcast
Former Hamilton star Diggs sits down with The Roots' MC to discuss his new movie Blindspotting, musicals, Malkovich and more.
The Score-Only Version of Star Wars: The Last Jedi is a Revelation
Jim Hemphill details the pleasures of a new cut of Rian Johnson's movie which dispenses with dialogue and SFX to forefront John Williams' music.











