Film
A Letter to My 14-Year-Old Self
Lauren Wolkstein, director of the forthcoming The Strange Ones, sends some words of advice and comfort back through time.
Behind Enemy Lines: Documenting the Trump Campaign as an Independent Filmmaker
The directors of Get Me Roger Stone on the scrappy doc techniques they had to employ while making their film about Trump's longtime advisor.
Michael Chernus (Orange is the New Black) Talks with Sam Beam (Iron & Wine) for the Talkhouse Podcast
The two longtime friends sit down at the Sonos store in NYC for a chat about movies, music, their creative roots, and much more.
Somehow Everybody Ignored the Other Zeitgeist Horror Masterpiece of 2017
Adam Baran on Better Watch Out, which is to toxic masculinity what Get Out is to racism. And it's a Christmas movie too!
Second Screen: Best TV Shows of 2017
Talkhouse's TV columnist Jim Hemphill breaks down a few of his favorites from a very busy year on the small screen.
Why I Stopped Watching TV But Made a TV Show
Producer Schoenbrun shares their take on the untapped potential of TV – and also shares the season finale of their show The Eyeslicer..
Let the Healing Begin
Actor-writer-director Jade Jenise Dixon on escaping an abusive relationship, and how writing a screenplay about her experiences transformed her life.
Rainn Wilson Talks with Josh Radnor and Ben Lee for the Talkhouse Podcast
The man who is Dwight from The Office talks with two longtime friends about their new musical project, spirituality, comedy and creativity.
My Brilliant Ideas on How to Fix the Oscars
Chad Hartigan has some thoughts about how to make the Academy Awards better, and you should really read them.
Second Screen: Why S.W.A.T. is Beating Hollywood Action Movies at Their Own Game
Jim Hemphill on the surprising pleasures of the newly rebooted TV franchise, which delivers both high-octane thrills and a real social perspective.
Sasheer Zamata Talks with Noël Wells (Mr. Roosevelt) for the Talkhouse Podcast
At the flagship Sonos store in NYC, two former Saturday Night Live castmates sit down for a catch-up chat.
Does a Documentary Have to Take a Stance?
A film critic called me “irresponsible” for remaining objective to the highly controversial subjects of my new film. I have some thoughts.











