Allison Anders is an award-winning film and television writer and director. She is best-known for films such as Gas, Food Lodging (1992), Mi Vida Loca (1993), Four Rooms (1995) and Grace of My Heart (1996), and is currently a prolific TV director, helming episodes of shows such as Sex and the City, The L Word, The Mentalist and Orange is the New Black. A winner of the MacArthur Genius Grant, she is also a Distinguished Professor in the Film And Media Studies Department at the University of California Santa Barbara.
On this latest episode of the Talkhouse Film podcast, writer-director Allison Anders talks with her mentor, iconic German filmmaker Wim Wenders, on the occasion of Wenders’ new touring film series. In their fascinating and wide-ranging conversation, the two old friends talk about a possible sequel to Paris, Texas, why Wenders didn’t direct True Detective, how Until the End of the World presciently anticipated everything from GPS to search engines to selfie culture – and also a lot of stuff about music, including how Wenders saved The Goalie’s Anxiety at the Penalty Kick by digitally replacing an Elvis song with a copycat track, Wim buying Allison her first iPod, and a discussion of the art of the mixtape. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.
The music featured in the podcast is as follows:
1. Intro / outro underscore: “Plastic Man vs. The Giant Red Phase Of The Sun” – Iced Ink
Episode engineered and edited by Elia Einhorn.
