songwriting
Aaron Beam (Red Fang) Talks Take That’s III
Red Fang’s singer thinks that Take That are clearly talented, but they need some more flavor.
Steve Wynn (the Dream Syndicate, Gutterball, the Baseball Project) Talks Marianne Faithfull’s Give My Love to London
It’s not her broken-hearted best, but the new Marianne Faithfull album still feels like a welcome visit from an old friend.
Holly Miranda Talks Ani DiFranco’s Allergic to Water
Singer-songwriter Holly Miranda assesses the new album by the woman who first inspired her to write a song.
Alanna McArdle (Joanna Gruesome) Talks Grouper’s Ruins
Joanna Gruesome’s singer on the “happy-sad” world of Grouper and the overwhelming power of quiet.
Jana Hunter (Lower Dens) Talks Vashti Bunyan’s Heartleap
The new album by the elder stateswoman of early '70s British pastoral-pop is a quietly defiant rebuke to a lot of things.
John Colpitts (Kid Millions) (Oneida, Man Forever) Talks Robyn Hitchcock’s The Man Upstairs
On his 20th album, Robyn Hitchcock drops the whimsy for a focused meditation on death, love and loss.
Charlie Starr (Blackberry Smoke) Talks Justin Townes Earle’s Single Mothers
As long as we have songwriters like Justin Townes Earle, there’s no reason to worry about the fate of country music.
Lauren Mayberry (Chvrches) Talks Karen O’s Crush Songs
Intimate, direct and yes, lo-fi, Karen O's solo album delves deep into the guts of this messy thing we call love.
Joseph D. Rowland (Pallbearer) Talks Rome’s A Passage to Rhodesia
Pallbearer bassist Joseph D. Rowland contemplates war and peace in Rome’s A Passage to Rhodesia — and in himself.
Steve Wynn (the Dream Syndicate, Gutterball, the Baseball Project) Talks Tom Petty and the Heartbreakers’ Hypnotic Eye
After 35 years, you might think you have Tom Petty figured out, but this portrait of modern malaise is worth spending time with.
Zachary Lipez (Freshkills, Publicist UK) Talks Gold-Bears’ Dalliance
If the lyrics to the new Gold-Bears album Dalliance are fiction, then Jeremy Underwood is a genius, because halfway through I wanted to...
Monty Powell Talks the Peculiar Life of the Hit Songwriter
A sea of 20,000 hands wave in unison like tendrils in a kelp bed when the waves force them to dance. But it's music, not the Pacific Ocean, driving...












