second screen
Second Screen: NCIS: New Orleans is the Rio Bravo of Police Procedurals (No, Really)
Jim Hemphill explains why this spinoff of a long-running cop show has some of the best qualities of Howard Hawks' 1959 classic Western.
Second Screen: The Irresistible Hollywood Narrative of Famous in Love
Jim Hemphill on why he fell for Freeform's addictive new series about the on-screen/off-screen romance between two young movie stars.
Second Screen: Is Billions a New High for Cable Television?
Jim Hemphill on the abundance of riches to be found in the Showtime series, which brings the best of cinema to the small screen.
Second Screen: Nashville Goes From Strength to Strength
Jim Hemphill sings the praises of Callie Khouri's country-music themed drama, which has thrived since its move from ABC to CMT.
Second Screen: The Catch’s Effortless Style Conceals Its True Brilliance
In his regular TV column, Jim Hemphill gets caught up in the ABC crime series, which channels Soderbergh and Hitchcock at their entertaining best.
Second Screen: Designated Survivor is a Capra-esque Mix of Trump and Clinton
If you've ever kind of wished the whole political establishment would be wiped out in one fell swoop, then this is the TV show for you.
Second Screen: One Mississippi Reimagines the Sitcom
Stand-up Tig Notaro, along with Diablo Cody and Louis CK, adds tragedy to the traditional TV comedy to redefine and deepen the form.
Second Screen: Animal Kingdom Emulates Its Source Material (and Then Some)
The new TNT show not only does justice to the great crime movie it's taken from, but also deepens its complex and compelling narrative.
Second Screen: Shades of Blue is One of the Best Cop Shows of All Time
With echoes of classic Lumet and two outstanding central performances, Shades of Blue is a rare welcome addition to the crowded cop show genre.








