role models
Dale Eisinger (YVETTE) Talk’s Travis Barker’s Can I Say
Our writer feels kinship with Blink-182’s drummer, but the themes of desire, guilt and redemption in Travis Barker’s memoir will resonate with anyone.
Screenwriter and Producer Erik Crary (Uncle John) Talks Working for David Lynch
As his first feature comes out, a filmmaker looks back on what he learned from the iconoclast director.
Nick Simon (The Girl in the Photographs) Talks Being Mentored by Wes Craven
An emerging writer-director recalls being taken under the wing of the late master of horror.
Chad Hartigan (This is Martin Bonner) Talks Discovering His True Self Through Jim Carrey and Meet Joe Black
How Martin Brest's misunderstood masterpiece helped a goofball teenager find love, and his identity.
Aaron Stewart-Ahn Talks His 25-Year Relationship with Wim Wenders’ Until the End of the World
A personal journey through life, cinema, and time.
Actor Sam Jaeger (Parenthood) Talks the Enduring, Evolving Influence of Dead Poets Society
26 years after it inspired him to seize the day and follow his dream, the actor-director reflects on the impact Peter Weir's film has had on his life.
Elizabeth Morris (Allo Darlin’) Talks Female Erasure and Reclaiming Alanis Morissette
The earnest singer-songwriters of the '90s might be deeply uncool now, but they were also massively important.
Tim Showalter (Strand of Oaks) Talks the Mountain Goats’ Beat the Champ
Somehow, John Darnielle only gets better with age. A dedicated student pays tribute to the champ.
Jim Hemphill (The Trouble with the Truth) Talks Clint Eastwood’s American Sniper
A filmmaker who became a director because of Clint Eastwood considers the retired actor's latest effort behind the camera.
Terence Nance (An Oversimplification of Her Beauty) Talks Taika Waititi and Jemaine Clement’s What We Do in the Shadows
Two Kiwi comic geniuses mash up Christopher Guest and the vampire genre to create a cinematic sitcom about the bourgeois undead.
Caveh Zahedi (The Sheik and I) Talks Meeting Robert Bresson
In 1980s Paris, a young filmmaker meets one of the giants of world cinema (who asks him to please shut the door on his way out).
Teeny Lieberson (TEEN) Talks D’Angelo and the Vanguard’s Black Messiah
How did a 40-year-old recluse manage to wow all of us? The answer lies in the difference between music and music.











