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Dale Eisinger (YVETTE) Talk’s Travis Barker’s Can I Say

Our writer feels kinship with Blink-182’s drummer, but the themes of desire, guilt and redemption in Travis Barker’s memoir will resonate with anyone.

December 19, 2015

Screenwriter and Producer Erik Crary (Uncle John) Talks Working for David Lynch

As his first feature comes out, a filmmaker looks back on what he learned from the iconoclast director.

September 19, 2015

Nick Simon (The Girl in the Photographs) Talks Being Mentored by Wes Craven

An emerging writer-director recalls being taken under the wing of the late master of horror.

September 12, 2015

Chad Hartigan (This is Martin Bonner) Talks Discovering His True Self Through Jim Carrey and Meet Joe Black

How Martin Brest's misunderstood masterpiece helped a goofball teenager find love, and his identity.

September 5, 2015

Actor Sam Jaeger (Parenthood) Talks the Enduring, Evolving Influence of Dead Poets Society

26 years after it inspired him to seize the day and follow his dream, the actor-director reflects on the impact Peter Weir's film has had on his life.

June 6, 2015

Elizabeth Morris (Allo Darlin’) Talks Female Erasure and Reclaiming Alanis Morissette

The earnest singer-songwriters of the '90s might be deeply uncool now, but they were also massively important.

May 30, 2015

Tim Showalter (Strand of Oaks) Talks the Mountain Goats’ Beat the Champ

Somehow, John Darnielle only gets better with age. A dedicated student pays tribute to the champ.

April 7, 2015

Jim Hemphill (The Trouble with the Truth) Talks Clint Eastwood’s American Sniper

A filmmaker who became a director because of Clint Eastwood considers the retired actor's latest effort behind the camera.

February 18, 2015

Terence Nance (An Oversimplification of Her Beauty) Talks Taika Waititi and Jemaine Clement’s What We Do in the Shadows

Two Kiwi comic geniuses mash up Christopher Guest and the vampire genre to create a cinematic sitcom about the bourgeois undead.

February 13, 2015

Caveh Zahedi (The Sheik and I) Talks Meeting Robert Bresson

In 1980s Paris, a young filmmaker meets one of the giants of world cinema (who asks him to please shut the door on his way out).

February 7, 2015

Teeny Lieberson (TEEN) Talks D’Angelo and the Vanguard’s Black Messiah

How did a 40-year-old recluse manage to wow all of us? The answer lies in the difference between music and music.

January 8, 2015