rap
Princess Superstar Talks Le1f’s Riot Boi
Now that it's OK to be into both club music and hip-hop, the world is FINALLY ready for Le1f.
Rollie Pemberton (Cadence Weapon) Talks Travis Scott’s Rodeo
Travis Scott says he’s “everything except a rapper” on his debut studio album. Is he right?
Rollie Pemberton (Cadence Weapon) Talks Future’s DS2
Future returns to the drug-fueled morass of his early work, but in the process loses some of the introspection that made that work special.
Patterson Hood (Drive-By Truckers) Talks Kendrick Lamar’s To Pimp a Butterfly
On his previous album, Kendrick Lamar was a filmmaker. On his new one, he’s a writer — and maybe one of the best of his generation.
Princess Superstar Talks Action Bronson’s Mr. Wonderful
He has a bigger budget now, but Action Bronson still doesn’t take things too seriously on his major-label debut.
Stew (Passing Strange, the Negro Problem) Talks Earl Sweatshirt’s Doris
Musical genres are as groundless as racial categories. Genres don't describe music, they describe sales categories, marketing ploys, demographic...
Spencer Tweedy (Tweedy) Talks Run the Jewels’ Run the Jewels 2
The imagery might get a little grody, but Run the Jewels 2 delivers all the fury and conscience that we love El-P and Killer Mike for.
Aaron Hemphill (Liars) Talks BadBadNotGood’s Sour Soul
On this collaborative album, the jazz trio BadBadNotGood don't overwhelm Ghostface Killah, they make him sound more like himself.
Adam Schatz (Landlady) Talks Rae Sremmurd’s Sremm Life
The outspoken Landlady frontman has a lot to say about not having a lot to say about Rae Sremmurd’s new album.
Princess Superstar Talks Various Artists’ Shady XV
Eminem might have broken down doors for Princess Superstar, but she still thinks he needs an editor.
Emmy the Great Talks Iggy Azalea’s Reclassified
The London anti-folk star explains why, if Reclassified had been released a year earlier, she might be dead right now.
Regan Farquhar (Busdriver) Talks Mick Jenkins’ The Water[s]
On his new mixtape, Mick Jenkins displays a vulnerability and an urgency that put him in a class of his own.











