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Talkhouse

For 19-year-old Jordana Nye, kaleidoscopic bedroom pop songs aren’t merely outlets for observations, but ways to endure and embrace turbulence. Listeners will hear in full when she re-releases her treasured debut album Classical Notions of Happiness with three brand-new songs on March 27 via Grand Jury Records. 
Growing up in North Beach, Maryland, Jordana was surrounded by music in the most devout sense of the word. Her father, an organ player at the local church, encouraged her to learn piano from a young age. Instead, she found herself drawn to the violin, which she played for years before eventually switching to guitar. Classical Notions of Happiness is the culmination of a decade of practice and a slow delve into the expanses of SoundCloud.

Jordana

Music

On Being a Virtuoso, with Jordana and TV Girl’s Brad Petering

PINS is a post-punk trio from Manchester. Their latest album, Hot Slick, is out May 29 via HAUS OF PINS.
(Photo Credit: Debbie Ellis)

PINS

The Way We Get By: Faith Vern (PINS) Finds Iggy Pop’s Free To Be a Nice Escape.

For Albuquerque, New Mexico new wave/synth-pop band Lindy Vision, family casts a shadow over everything. The trio — comprised of three Black Native sisters, Dorothy (Dee Dee), Natasha (Na), and Carla Cuylear — has spent the last six years honing their unique sonic palette, a mix of dark ‘80s new wave, bouncy synth-pop, and ethereal indie-rock that has drawn comparisons to Santigold, M.I.A., Devo, Yeah Yeah Yeahs, and more. In that time, their music has landed them on bills supporting Spoon, Durand Jones and the Indications, A Tribe Called Red, Magic Giant, and more.
On their new EP, Adult Children Part II, Lindy Vision continues to create sweeping, synth-heavy soundscapes that provide a foundation for their introspective, emotionally raw musings on adult life after a tumultuous upbringing.
(Photo Credit: Cougar Vigil)

Lindy Vision

Lindy Vision Are Healing Past the Trauma

Far Enough, the second album from Melbourne, Australia’s Cable Ties, brings a towering wall of ’70s hard rock and proto-punk to songs that explore hope, despair, and anger but offer no easy answers. Cable Ties’ fundamental elements — a driving rhythm section, anxious and emotive guitar playing, defiant, passionate songwriting, and Jenny McKechnie’s earthshaking voice — are complicated on Far Enough by nuance and ambivalence.
(Photo Credit: Lisa Businovski)

Cable Ties

The Way We Get By: Nick Brown of Cable Ties is Making Passata With His Roommates

Frances Quinlan is a songwriter and frontwoman for Hop Along, whose album Bark Your Head Off, Dog is available now<a href="https://saddle-creek.com/collections/hop-along/products/bark-your-head-off-dog?variant=5400652578849"> via Saddle Creek</a><a href="http://saddle-creek.com/store/663">.</a> You can follow Hop Along on Twitter <a href="https://twitter.com/HopAlongtheband" target="_blank" rel="noopener">here.</a> 
(Photo credit: Amy June)

Frances Quinlan

The Way We Get By: Frances Quinlan is Rethinking How She’s Defined Success

They’ve been compared to tornadoes, firecrackers, and lightning storms, and described as genuine, unapologetic, and down-to-earth. Their live shows are a whirlwind of belting and high-kicks, their pure energy as yet unmatched. Almost three years since the release of their debut album, Alex Luciano and Noah Bowman of gutsy rock duo Diet Cig are set to release their sophomore full-length, Do You Wonder About Me? The pair, typically on the road, took time off of tour to spend the better part of 2019 working on their follow-up to 2017’s Swear I’m Good At This. The new record marks a more intentional, self-assured Diet Cig; not only in Luciano’s radically intimate, acerbic lyrics, but in the duo’s sound as well.
(Photo Credit: Emily Dubin)

Diet Cig

The Way We Get By: Diet Cig Are Baking and Playing Drums

Kevin Barnes is the frontman and songwriter of the seminal indie-pop band of Montreal, who thrill fans with compelling live performances, delight critics with their constant innovations, and continually showcase their musical evolution by drawing from a different set of influences for each album. You can follow of Montreal on Twitter <a href="https://twitter.com/xxofMontrealxx" target="_blank">here</a>&nbsp;and on Facebook <a href="http://Facebook.com/ofmontreal" target="_blank">here</a>.

Kevin Barnes

Navigating Work and Romance with Of Montreal and Locate S,1

Featuring contributions by an array of respected friends and guests — including Juliana Hatfield, John McCauley of Deer Tick, and legendary rock engineer Steve Albini — LIFERS is the first album from Local H in five years, and the release coincides with the group’s 30 year anniversary (and our collective doom). LIFERS is out now on all DSP&#8217;s AntiFragile Music. Physical Orders of the album are <a href="https://tellallyourfriendspr.us10.list-manage.com/track/click?u=63f1674ecdb2a4574b77e600b&amp;id=160d66ee75&amp;e=fc6c03f500">available here.</a>

Local H

The Way We Get By: Scott Lucas of Local H is Hunkering Down with George Romero

Split Single frontman Jason Narducy is a universally beloved lifer, having first appeared on the scene at age 11 in the ‘80s Chicago punk band Verböten. He fronted Epic/Sony alt-rockers Verbow during the ‘90s alt-rock bubble, then spent nearly a decade as the bassist and backup vocalist for folks like Bob Mould, Robert Pollard, Telekinesis and Superchunk. Split Single’s <a href="http://www.shopbenchmark.com/splitsingle/" target="_blank" rel="noopener noreferrer">Metal Frames</a> was released in 2016.

Jason Narducy

Here’s a Sneak Peek at Jason Narducy’s Guest-Filled Home Show

Chicago songwriter and guitarist James Elkington — who has collaborated with everyone from Richard Thompson to Jeff Tweedy to Tortoise — recorded his sophomore album at Wilco’s Loft, expanding upon his celebrated 2017 debut Wintres Woma as well as his recent production and arrangement work for the likes of Steve Gunn, Nap Eyes, and Joan Shelley.

James Elkington

The Way We Get By: James Elkington is Diving Deep Into Improvised Music

His first album since 2016’s Dame Fortune, The Fun Ones is the seventh solo album in the constantly expanding RJD2 catalog. Assembled as a mixtape using samples taken from a number of conversations with his contemporaries, including Phonte Coleman, J-Zone, Kid Koala, Mr. Lif, and Son Little, The Fun Ones draws largely from the basic DNA of hip-hop and funk music, with heavy brass, plenty of thump, and slick chord changes.

RJD2

The Way We Get By: RJD2 is Enjoying ‘80s Sci-Fi Movies

An influential fixture on the East Coast DIY scene and beyond, Sean Sprecher has been creating profound and sincere music that deals with unhappiness and its absurdity in equal measure since 2007. He has been performing under the name Bad History Month since 2013, transitioning from Fat History Month, a name he used when playing as a duo with drummer Mark Fede. Despite a career marked by sporadic disappearances and the often deliberate avoidance of public attention, Sprecher was already a cult figure in DIY circles in 2017 when the release of his first album as Bad History Month, Dead And Loving It: An Introductory Exploration Of Pessimysticism, brought him to wider attention, drawing praise from the likes of Pitchfork, Stereogum and NPR who described the album as an exercise in &#8220;high grade introspection&#8221; that functions &#8220;like message meant to be folded into a square, tucked into a pocket, and returned to in solitude during times of distress.&#8221;

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