music commentary
Dude York’s Falling is a Power Pop Tour de Force
Eric Slick (Dr. Dog) talks the necessity of making room for joy in music.
Devin Has No Tolerance for Bullshit
Sam Goblin (Mister Goblin) on how Maneka’s new record navigates the “repressed ideological contradictions” of the white indie world.
Claire Cronin’s New Album is Really Spooky
Sam Goblin (Mister Goblin) loves Big Dread Moon in the same way he loves the Halloween franchise.
The Raconteurs Are Teaching Me How to Chill
Morgan Enos (Other Houses) on Help Us Stranger and the merits of having nothing to prove.
Mannequin Pussy’s World is On Fire
Robin Edwards (Lisa Prank) on the tenderness and toughness of Patience.
Amyl and the Sniffers are What’s Right with Rock
Eli Kasan (Gotobeds) on the drunken energy of the band’s new self-titled album.
The Intricate Brilliance of Low’s Secret Name
For James Chapman (Maps), the album’s otherworldliness still lingers 20 years on.
Neil Young is Documenting Himself From Every Angle
Morgan Enos (Other Houses) talks Neil Young’s Tuscaloosa and the importance of capturing every side of your artistic self.
The Aaron West Cinematic Universe
Hanif Abdurraqib on character arcs, difficult resolutions, and Routine Maintenance.
Greys See the Enchantment in the Wreckage
Ellen Kempner (Palehound) on the “untethered darkness” of Age Hasn’t Spoiled You.
Charly Bliss Flirts with the Brutal Truth
Kay Hanley (Letters to Cleo) on the band’s synthy, apocalyptic new album Young Enough.
Oh My God is Awe-Inspiring
According to Oliver Hill (Dustrider), Kevin Morby’s latest is awesome in the religious sense.











