music commentary

Them Are Us Too might have a Cocteau Twins influence. But what’s wrong with that?

The new Palma Violets album starts off vapid, rushed and derivative. And it’s the best part of the record.

Grammy-winning songwriter Van Hunt says My Morning Jacket has made a soft couch for aching bones.

A Todd Rundgren superfan hitches a ride on the pop visionary’s latest trip, Chex Mix in hand.

The former Texas Is the Reason member contemplates the legacy of Mac McCaughan and Superchunk, secret emo progenitors.

The weary songwriter finds relief from a troubled world on Passion Pit’s nostalgic new album.

From multi-song suites to playing most of the instruments himself, Mikal Cronin gets ambitious on the triumphant MCIII.

No second-album slickness here; instead, Alabama Shakes are taking us on an emotional journey.

They’re not shy about their influences, but Built to Spill remain American originals.

Calexico’s Edge of the Sun is a testament to the ease with which music crosses borders.

How to explain the wonder that is Wire, the iconic post-punk band now on their 13th album? Perhaps they are like a Japanese game show.

With its wit and melancholy, Speedy Ortiz’s new album is the sound of a woman stomping the sad feelings and then wearing them like a badge of honor.