music commentary
Gavin Dunbar (Camera Obscura) Talks Franz Ferdinand’s Right Thoughts, Right Words, Right Action
Franz Ferdinand came from nowhere, or so it seemed. Most of the band had been around Glasgow in bands for an age, or worked in venues doing sound...
Kurt Braunohler Talks Superchunk, Music, Time and Loss
Let’s get this out of the way: I don’t know how to review music. I could say “I love it!” or “It sounds angry like a blender!” But is that helpful...
Amy Klein (Leda, Hilly Eye, Titus Andronicus) Talks Heliotropes’ A Constant Sea
Some folks like to take a little time each day to remind themselves what they’re grateful for. As for me, I am grateful for the electric guitar...
Sondre Lerche Talks Julia Holter’s Loud City Song
A couple of weeks ago on a hot, sunny day in Oslo — a modest, modern city of 600,000 souls and, on that particular day, myself — I woke up feeling...
Missy Mazzoli (Victoire) Talks Zola Jesus and J.G. Thirlwell feat. Mivos Quartet’s Versions
The most striking part of Versions, the new album from Nika Roza Danilova, aka Zola Jesus, isn’t the presence of a string quartet or the...
Lauren Mayberry (Chvrches) Talks Braids’ Flourish // Perish
It seems to me that, each in their own way, musicians strive to create something beautiful – but for me, the truly beautiful songs are, for want of...
Sean Yeaton (Parquet Courts) Talks the Vaccines’ Melody Calling
I was recently in Portland performing at a festival at Pendarvis Farm in Happy Valley, which, to digress for a moment, was fantastic — the vibes...
Rick Smith (Torche) Talks Medicine’s To the Happy Few
I was curious if a new Medicine record would be any good. Their debut Shot Forth Self Living was released in 1992 by Creation Records...
Zac Pennington (Parenthetical Girls) Talks Van Dyke Parks’ Songs Cycled
Opinions are fickle things. What appeals to the pleasure centers at first blush doesn’t always maintain stamina. Likewise, the longer it takes for...
Kathy Valentine (the Go-Go’s, the BlueBonnets) Talks Blue October’s Sway
The first time music made me cry, it was because of the sheer melodic and soulful beauty of what I was listening to, not because the lyrics were...
DJ Nu-Mark (Jurassic 5) Talks Mayer Hawthorne’s Where Does This Door Go
The third album for any artist seems to send them on a soul-searching adventure that eventually leads most of them to the age-old question...
Chris Funk (the Decemberists, Black Prairie) Talks Weekend’s Jinx
I grew up in northwest Indiana, which is basically an endless and extended suburb of Chicago. As it was the suburbs, there was no geographic...












