music commentary
“Eleanor Rigby” Remains A Shocking Work Of Art (And I Don’t Care If You’re Tired Of It)
Morgan Enos on why the newly remixed Revolver cut remains a chilling masterpiece.
Corin Tucker Talks Harkin’s Mix Tape-Ready New Record
The Sleater-Kinney guitarist shares some words on Honeymoon Suite.
How Erykah Badu’s Untouchable Cool Inspired Katie Alice Greer’s Solo Debut
On Amerykahn Promise Pt.1 (Fourth World War) and Barbarism.
Keane’s Under the Iron Sea is a Masterpiece of Modern Pop
Spring Silver goes to bat for the record 16 years later.
Deerhoof’s New Record is the Antidote For All Our Troubles
Eric Slick (Dr. Dog) on the magic of Actually, You Can.
What Count Me In Gets Wrong About the History of Drumming
John Colpitts reviews the new Netflix doc.
New York, New Music, 1980-1986
John Colpitts’s review of the new Museum of the City of New York show.
HXXS Has Zero Interest in Coddling You
Sam Goblin (Mister Goblin) on how CHANNELER could change the way you anticipate music.
Woodstock ’99, or How To Do a USA in Late Capitalism
Greg Saunier (Deerhoof) on late capitalism, Limp Bizkit, and the polarizing new doc.
Strange Negotiations Is a Record About Small Compromises
Caleb Cordes (Sinai Vessel) on the 10th anniversary of David Bazan’s “hard-hitting” album.
