music commentary
Ethan Iverson (the Bad Plus) Talks Joss Whedon’s Much Ado About Nothing
Is there anything Joss Whedon can't do? He's a phenomenally successful director and screenwriter with gigantic films and TV shows like...
Mark Eitzel (American Music Club) Talks David Lynch’s The Big Dream
I wanna love this because I love David Lynch, and if I could just relax for 40 minutes, dammit, I would. Music is purity and pleasure and those...
Stew (Passing Strange, the Negro Problem) Talks SoKo’s I Thought I Was an Alien
I don’t wish to write about this great record from the perspective of an old man, nor from the point of view of a younger version of myself. I wish...
Craig Finn (the Hold Steady) Talks Daughn Gibson’s Me Moan
Daughn Gibson's music is most notable for how it melds sounds rooted in the recent past with those from the not-so-distant future. We live in a...
Angel Del Villar II (Homeboy Sandman) Talks Eric Lau’s One of Many
British producer/DJ Eric Lau just put out a new album called One of Many, and I’m telling y’all this is some smoothed-out ish right here...
Grant Widmer (Generationals) Talks Ciara’s Ciara
The backstory of Ciara's fifth, self-titled album is a twisted tale, but here's what you need to know: Ciara was signed by LA Reid to LaFace...
Zachary Lipez (Freshkills, Publicist UK) Talks Hawthorne Heights’ Zero
In my previous band’s occasional forays into cross-country touring, we’d usually play small clubs with audiences made up of the local ex-hardcore...
Sage Francis Talks Bosnian Rainbows’ Bosnian Rainbows
There's a dream I had in middle school that has stuck with me my whole life. In the dream I was offered a choice between two cars: a red 1988...
Shara Worden (My Brightest Diamond) Talks Mavis Staples’ One True Vine
In 1990, I heard Mavis Staples' voice for the first time. That year, I moved to a new state, a new culture, and a new high school, and I found...
Ashok Kondabolu (Das Racist) Talks Quasimoto’s Yessir Whatever
I once saw a briefly-posted video on the Stones Throw label's website of a lecture Otis Jackson, Jr., aka hyper-prolific producer/rapper/musician...
Sean Yeaton (Parquet Courts) Talks Mikal Cronin’s MCII
My band was barreling down Highway 8 from Phoenix to San Diego, where we drove past the same buttery sand dunes where, in Return of the Jedi...












