horror
“Even the Hillbillies are Attractive,” and Other Problems with the Near-Identical Remake of Eli Roth’s Cabin Fever
Zach Clark details why the inexplicably similar rehash of the 2002 cult hit just doesn't cut it.
Lucky McKee (May) Talks David Robert Mitchell’s It Follows
The director of an indie horror classic shares his appreciation for a new classic – and explains why it made him want to punch a kitten in the balls.
Zach Clark (White Reindeer) Talks Mike Dougherty’s Krampus
The holidays are a perfect setting for a horror film, but is this piece of seasonal cinema a turkey or a cracker?
Darren Lynn Bousman (Saw II) Talks Halloween and Horror Movies
The Splat Pack director recalls the October haunted house trips and scary movie nights that as a kid connected him with a love of the macabre.
Jim Hemphill (The Trouble with the Truth) Talks Guillermo del Toro’s Crimson Peak
Del Toro's new movie, a gothic chiller which is both personal and commercial, underlines how horror movies ain't what they used to be.
Alex Ross Perry (Queen of Earth) Talks Eli Roth’s The Green Inferno
After more than half a decade away, the Splat Pack director returns with a disgusting, vile, morally dubious cannibal movie. Yes, it's that good.
Stuart Gordon (Re-Animator) Talks Veronika Franz and Severin Fiala’s Goodnight Mommy
A horror movie that caused an audience member to have a seizure? Yes, it's that good.
Steve Taylor (Blue Like Jazz) Talks M. Night Shyamalan’s The Visit
Will this found-footage horror film get its slumping director out of movie jail? Or win him another Razzie nomination?
Nick Simon (The Girl in the Photographs) Talks Being Mentored by Wes Craven
An emerging writer-director recalls being taken under the wing of the late master of horror.
Jim Hemphill (The Trouble with the Truth) Talks the Pleasures of Blumhouse’s Straight-to-VOD Movies
The lesser-known films from horror's most prolific and successful production company may be even bolder and more exciting than its bigger titles.
Bruce LaBruce (Gerontophilia) Talks Fabrice Du Welz’s Alleluia (and Leonard Kastle’s The Honeymoon Killers)
A contemporary take on the the infamous Honeymoon Killers prompts a look at both the new film and the classic 1969 movie on the murderous paramours.
Guillermo Amoedo (The Stranger) Talks Ted Geoghegan’s We Are Still Here
Eli Roth's protégé and collaborator finds much to appreciate in the chilling debut from a fellow screenwriter turned director.











