film reviews
Zack Parker (Proxy) Talks Kim Ki-duk’s Moebius
The innovative Korean auteur's new film is dialogue-free, yet Zack Parker finds just the right words to discuss its issues.
Jonathan Lisecki (Gayby) Talks James Gunn’s Guardians of the Galaxy
The new Marvel movie does so much right that you can forgive it anytime it goes slightly astray. It's the first great comedy of the franchise.
Actor/Screenwriter Randy Russell Talks Ramon Zürcher’s The Strange Little Cat
This Berlin Film Festival favorite presents a portrait of family interaction that feels unsettlingly like real life.
Screenwriter Ben York Jones (Like Crazy) Talks James Franco’s Child of God
The protagonist in James Franco's new movie is as sympathetic as a rabid dog, which makes him (and it) a little difficult to love.
Jim Hemphill (The Trouble with the Truth) Talks Oliver Stone’s Alexander: The Ultimate Cut
Is it possible that the best film of 2014 is actually the fourth release version of a movie from 2004?!
Stuart Gordon (Re-Animator) Talks Manuel Martín Cuenca’s Cannibal
The veteran horror director gets a taste of this arty Spanish tale of a serial killer with a penchant for human flesh.
Josephine Decker (Butter on the Latch) Talks Luc Besson’s Lucy
The French director's new blockbuster is bright and bombastic, but also taps into profound questions about our existence.
Rodney Ascher (Room 237) Talks Roberts Gannaway’s Planes: Fire & Rescue
“Why do the planes not need people to fly them?” asked my four-year-old son as we watched Planes: Fire & Rescue...
Calvin Lee Reeder (The Rambler) Talks James DeMonaco’s The Purge: Anarchy
Maybe I don’t respect cinema enough, maybe I have a primitive mind or maybe I’m just a bad guy; but I love movie violence.
Aaron Katz (Land Ho!) Talks Maclain Way and Chapman Way’s The Battered Bastards of Baseball
I wish The Battered Bastards of Baseball were half as rowdy as its subject matter. The film examines the Class A Portland Mavericks...
Nancy Savoca (Dogfight) Talks Aarón Fernández’s The Empty Hours
In the Mexican independent production The Empty Hours, 17-year-old Sebastián and twentysomething Miranda spend...
Screenwriter Kirsten “Kiwi” Smith (Legally Blonde) Talks Aaron Katz and Martha Stephens’ Land Ho!
I may not be the target demographic for Land Ho!, but my parents are. I was lucky enough to watch the film with my folks...











