film reviews
Jim Hemphill (The Trouble with the Truth) Talks Jonathan Demme’s Last Embrace
A gem from the early days of Demme's career finally comes to Blu-ray, not just a nod to Hitchcock but also the bellwether of a future classic.
Kerthy Fix (Strange Powers: Stephin Merritt and The Magnetic Fields) Talks Stephen Kijak’s Backstreet Boys: Show ‘Em What You’re Made Of
A larger than life portrait of the now grown-up boy band that's somewhat incomplete (but that's all they have to give).
Stuart Gordon (Re-Animator) Talks The Mo Brothers’ Killers
A dark, compelling thriller about an unholy alliance between a journalist and a maker of snuff films hides a sinister "family" connection in amongst a
Calvin Lee Reeder (The Rambler) Talks Peter Strickland’s The Duke of Burgundy
This festival favorite about the twisted relationship between two lesbian lovers — and also the study of insects — has many pleasures to offer.
Jim Hemphill (The Trouble with the Truth) Talks Rob Cohen’s The Boy Next Door
In which a devoted fan of erotic thrillers is frustrated to find that a movie with a very promising premise is turned into a boring, inoffensive mess.
Clay Liford (Wuss) Talks Paul King’s Paddington
An intrepid filmmaker aims to experience an adorable new kids movie with a sense of newness and wonder — by watching it on shrooms.
Screenwriter Kirsten “Kiwi” Smith (10 Things I Hate About You) Talks Eliza Hittman’s It Felt Like Love
One of 2014's best, this Brooklyn-set portrait of burgeoning female adolescent sexuality examines a moment of transition in a young girl's life.
Mohammad Gorjestani (Refuge) Talks Bennett Miller’s Foxcatcher
Who could be better to write about this Oscar contender than a filmmaker who used to be a wrestler?
James Ponsoldt (The Spectacular Now) Talks Jonathan Glazer’s Under the Skin
The winner of Talkhouse Film's 2014 poll was released prior to the site's launch, and also just before a special date in James Ponsoldt's life...
Robert Greene (Actress) Talks Stephanie Spray and Pacho Velez’s Manakamana
The latest from Harvard's Harvard Sensory Ethnography Lab, one of the most acclaimed documentaries of 2014 is a film of 11 perfect shots.
Terence Nance (An Oversimplification of Her Beauty) Talks Wes Anderson’s The Grand Budapest Hotel
A letter from one filmmaker to another, suggesting an ongoing tutelage and mentorship that would take the form of a letter-writing exchange.
Jason Osder (Let the Fire Burn) Talks Exit Through the Gift Shop, Five Years Later
Half a decade after its premiere at Sundance, a look at the rabble-rousing street artist's debut documentary and its impact on the non-fiction form.











