film reviews
Confessions of a Latecomer: Michael Almereyda on Letters from Baghdad
The director of two 2017 films, Escapes and Marjorie Prime, with his take on a recent favorite (that he missed the first 10 minutes of).
I Got Stoned and Watched Valerian in 4DX and It Was … Yaaassssssssssssssssss!
Adam Baran shares the glorious experience of seeing Luc Besson's new space opera on Super Goji Haze and with all five senses engaged!
The Big Sick and My Own History with Interracial Marriage
Sidewalk Stories' writer-director Charles Lane offers up a very personal take on one of this summer's big indie movies.
“A Warrior Genius with a Child’s Brain in a Sex Goddess Body?”
Writer-directors Josephine Decker, Deborah Kampmeier and Drew Denny discuss their differing and complicated feelings about Wonder Woman.
Physical Comedy is Thrillingly Alive in Lost in Paris
Shannon Plumb finds kindred spirits in the comedy double act of Fiona Gordon and Dominique Abel, whose delightful new movie is out this week.
The Particular Cathartic Ecstasy of Watching Wonder Woman
Lynn Shelton on her very personal – and emotional response – to Patty Jenkins' game-changing superhero movie.
Why the Criminally Overlooked Happy Campers Deserves Classic Status
Jim Hemphill makes the case for Daniel Waters' subversive summer camp movie, a film that has never been recognized for its unsettling brilliance.
On Its 40th Anniversary, John Boorman’s Much-Maligned Exorcist II: The Heretic Deserves a Second Chance
A wildly sumptuous feast for the senses, the undervalued sequel is due for the same critical reevaluation as Sorcerer.
The Mysterious Noir Classic Out of the Past is the Perfect Double Bill for Mulholland Drive
Actor/screenwriter Randy Russell attempts to unravel the secrets of Jacques Tourneur's masterwork, a film where even doubles have doubles.
My Mom’s Amazing Voicemail Review of Get Out
Julia Pott's gregarious and very animated mom has some supremely awesome thoughts on the record-breaking social thriller.
Adam Sandler’s “Carte Blanche” Freedom and the Joy of Sandy Wexler
Jim Hemphill celebrates the creative expansion the polarizing comedian's new Netflix film has afforded him.
All These Sleepless Nights and That Sweet Spot Between Documentary and Fiction
Lou Pepe speaks out in ardent support of Michał Marczak's gorgeously cinematic doc, a film considered by some to not qualify as non-fiction.











