film essay
Creative Light in Motion
Actress, writer, director and producer Nadhege Ptah on her long and complex journey to find full expression as an artist.
On Fear and Femininity
Horror director Elle Callahan, whose new film Witch Hunt is out now, on her complex and longstanding relationship with fear, her extra sense.
Intimate Spaces, Brutal Landscapes
Aharon Keshales on how Sam Peckinpah influenced his new action drama, South of Heaven, starring Jason Sudeikis and Evangeline Lilly.
9½ Weeks, Fatal Attraction and Me
Dinette creator Shaina Feinberg on how two infamous and very sexy movies filmed in her childhood home inspired her to subvert the male gaze.
Stuntman: A Ghost Story
Director Kurt Mattila shares the remarkable story behind the making (and releasing) of his documentary on daredevil stunt performer Eddie Braun.
Chasing the Forbidden Truth
Filmmaker Nicholas Brennan on the making of his new documentary, Los Últimos Frikis, a portrait of the Cuban heavy metal band Zeus.
“A Submarine Sinking and a Fleet of Underwater Sirens Celebrating”
Karen Cinorre shares excerpts from the diary she kept while shooting her debut feature, the action fantasy Mayday, which is released on Friday.
Lawrence of Arabia & I
Director Paul Kowalski on his enduring relationship with David Lean's epic, from his childhood in Saudi Arabia to his new film, Paper Tiger.
Watching Movies in a Theater, as God Intended
The Purge director James DeMonaco, whose new movie This is the Night is now streaming, on the sanctity of the collective cinematic experience.
The Quietude of Eternity: Finding The Village Detective
Director Bill Morrison on archival footage, history and his new documentary, The Village Detective: A Song Cycle, out now in theaters.
My Dream Role and Tango in the Time of Corona
Actress Cristina Rosato, currently starring in Turner & Hooch, shares her indelible experiences on the upcoming film Ariel.
How Motherhood Revolutionized My Filmmaking Approach (and How I See America)
Rachel Boynton on the genesis of her new film Civil War (or, Who Do We Think We Are), and why she re-envisioned the way she made documentaries.











