film commentary
Megan Griffiths (Lucky Them) Talks Marielle Heller’s The Diary of a Teenage Girl
A period coming-of-age dramedy, Heller's debut feature is a portrait of adolescence femininity that embraces complexity.
Andrew Bujalski (Results) Talks Pete Docter’s Inside Out
The even-keeled (and unerringly polite) writer-director finally surrenders himself to Pixar and dives into a world of emotions.
Barry Jenkins (Medicine for Melancholy) Talks Steven Soderbergh’s The Knick
An appreciation of the best show on television as Soderbergh's stewardship on it sadly comes to an end.
Terence Nance (An Oversimplification of Her Beauty) Talks Spike Lee’s Chi-Raq
Sometimes what you really want to say about Spike Lee and his new movie only comes out when you're killing time on Gchat...
James Marsh (The Theory of Everything) Talks Andrew Haigh’s 45 Years
One of the great emerging English directors constructs a heart-rending tragedy from small, quiet moments in this impeccably controlled marital drama.
Joe Lynch (Everly) Talks George Miller’s Mad Max: Fury Road
In a piece as epic as the film itself, a die-hard fan of the original movies looks at how Miller's stunning franchise reboot makes the old new again.
Aaron Stewart-Ahn Talks Ryan Coogler’s Creed
This miraculous continuation and reimagining of one of the great cinematic sagas marks a significant moment in American filmmaking.
Terence Nance (An Oversimplification of Her Beauty) Talks Alfonso Gomez-Rejon’s Me and Earl and the Dying Girl
In which the author fulfills his responsibility to respond to the film by combining well-reasoned observations with an extended ice cream metaphor.
Joe Lynch (Everly) Talks Quentin Tarantino’s The Hateful Eight
An appreciation of QT's latest that, naturally, has an overture, chapters and an intermission.
Neil Marshall (The Descent) Talks Alejandro G. Iñárritu’s The Revenant
A fellow movie-masochist, who himself suffered the freezing wilds for the sake of cinema, watches this awards contender with a shiver of recognition.
Lucky McKee (May) Talks David O. Russell’s Joy
Yes, David O. Russell's new movie makes you feel overwhelmed, disoriented and somewhat confused. But that's exactly what it's trying to do to you.
Andrew Jenks (dream/killer) Talks Manu Luksch, Martin Reinhart and Thomas Tode’s Dreams Rewired
A spry all-archival doc draws parallels between the media revolutions of the early 20th century and the present. But have we learned any lessons?











