film commentary
Zach Clark (White Reindeer) Talks Spike Lee’s Da Sweet Blood of Jesus
The iconoclastic director's "newest, hottest joint" was crowdfunded on Kickstarter but sourced from a '70s cult classic. Will the backers be happy?
Leah Shore (Old Man) Talks Mike Mitchell and Paul Tibbitt’s The SpongeBob Movie: Sponge Out of Water
The NYC-based animator and director paints a vivid picture of the new big screen outing for a TV toon favorite.
Film Composer Daniel Hart (Ain’t Them Bodies Saints) Talks Jody Lee Lipes’ Ballet 422
By showing rather than telling, this documentary about a brilliant emerging choreographer reveals the genesis of, and passion behind, a new ballet.
Clay Liford (Earthling) Talks Andy and Lana Wachowski’s Jupiter Ascending
The Wachowskis' new space opera delivers "Chihuahua Face," absurd character names, apathetic supporting villains, and a retro '90s plot and ideology.
Scott Cummings (Buffalo Juggalos) Talks Aleksei German’s Hard to Be a God
Almost three hours in length and close to 15 years in the making, a Russian medieval sci-fi epic finally hits the big screen.
Jennifer Prediger (Apartment Troubles) Talks Marjane Satrapi’s The Voices
On a cross-country flight, an actress and writer-director ponders a darkly funny new movie and the dueling voices she herself hears in her head...
Jim Hemphill (The Trouble with the Truth) Talks Jonathan Demme’s Last Embrace
A gem from the early days of Demme's career finally comes to Blu-ray, not just a nod to Hitchcock but also the bellwether of a future classic.
Kerthy Fix (Strange Powers: Stephin Merritt and The Magnetic Fields) Talks Stephen Kijak’s Backstreet Boys: Show ‘Em What You’re Made Of
A larger than life portrait of the now grown-up boy band that's somewhat incomplete (but that's all they have to give).
Barry Jenkins (Medicine for Melancholy) Talks Céline Sciamma’s Girlhood
If there’s a teenage girl in your life, you would be wise to show her this film.
Zach Clark (White Reindeer) Talks Agnès Troublé’s My Name is Hmmm…
The French fashion designer's first foray into filmmaking prompts a discussion about form, content and cinematic conformity.
Stuart Gordon (Re-Animator) Talks The Mo Brothers’ Killers
A dark, compelling thriller about an unholy alliance between a journalist and a maker of snuff films hides a sinister "family" connection in amongst a
Calvin Lee Reeder (The Rambler) Talks Peter Strickland’s The Duke of Burgundy
This festival favorite about the twisted relationship between two lesbian lovers — and also the study of insects — has many pleasures to offer.











