film commentary
Stuart Gordon (Re-Animator) Talks Ti West’s The Sacrament
The Sacrament can be described as a “found-footage” film. This term was popularized by The Blair Witch Project in 1999...
James Marsh (Man on Wire) Talks Pawel Pawlikowski’s Ida
A couple of times in any given year, if I am lucky, I get to see a great film – best defined as a film alive with new possibilities for the medium...
Jim Hemphill (The Trouble with the Truth) Talks Hollywood’s Prejudice Against the Western
When I read that A Million Ways to Die in the West was underperforming at the box office, my heart sank. Not because I liked the film...
Azazel Jacobs (Doll & Em) Talks Matthew Weiner’s Mad Men
Like Jim Jarmusch’s perfect Dead Man, which tells the whole story in its title, Mad Men gives it away in its title sequence...
Calvin Lee Reeder (The Rambler) on Doug Liman’s Edge of Tomorrow
Fatalism is a funny thing, I know I wrestle with it. I feel a teaspoon of anger when someone tells me, “Everything happens for a reason.”
Eliza Hittman (It Felt Like Love) Talks Kelly Reichardt’s Night Moves
I had a rather funny Kelly Reichardt experience at the time of Meek’s Cutoff’s screening at Sundance 2011. I had just arrived at the filmmaker
Josephine Decker (Butter on the Latch) Talks Robert Stromberg’s Maleficent
I argued with my boyfriend about Maleficent and my feelings about it all weekend. The best way I found of expressing my take on it is this...
Riley Stearns (Faults) Talks Alex van Warmerdam’s Borgman
I’m a predictable person. Last April, I saw an unsubtitled trailer for a film called Borgman and even though I didn’t understand...
Michael Mohan (Save the Date) Talks Lukas Moodysson’s We Are the Best!
In spring 2005, after learning that Lukas Moodysson’s new film, A Hole in My Heart, was opening only on one screen in NYC...
Alex Ross Perry (Listen Up Philip) Talks Jon S. Baird’s Filth
What is the point of a vaguely “extreme” British crime and corrupt cops import if not to inspire the awe...
Daniel Schechter (Life of Crime) on Seth MacFarlane’s A Million Ways to Die in the West
Seth MacFarlane is funny. He's also good-looking (I mean, the guy can wear a tuxedo). He's got a great speaking voice and he can sing as well.
Yung Chang (Up the Yangtze) Talks Sebastian Junger’s Korengal
A few years ago, I had the opportunity to make a film following the opium trade from seed to drug addict.











