film commentary
On Ham on Rye and Smoking Bowls
Filmmaker Jenny Gage on Tyler Taormina's unconventional coming-of-age movie, a film which perfectly captures the feeling of being a teenager.
Home Alone is the Greatest Christmas Movie of All, Especially During a Pandemic
Anna Roisman digs into a large pizza as she pays tribute to the Macaulay Culkin classic, which oddly feels even more relevant on its 30th anniversary.
Horrors Far Beyond Mere Violence: On Schalcken the Painter
Writer-director Graham Swon shines a light on Leslie Megahey's vastly underseen "indirect horror" movie, a lost BBC gem from 1979.
George Pelecanos on the Genius of The Twilight Zone’s “Walking Distance”
The crime novelist and TV writer, whose anthology crime film D.C. Noir is out now, on his favorite episode of Rod Serling's iconic show.
On the Ross Brothers’ Second Star to the Right and Straight on ’Til Morning
Director Braden King chats with Bill and Turner Ross about their under-the-radar doc, which captures the making of Benh Zeitlin's Wendy.
Am I the Only One Who Loves … It’s Complicated?
Comedian Anna Roisman bravely makes her case for Nancy Meyers' 2009 rom-com. You know, the one that's not Something's Gotta Give?
If It’s the End of the World, I Guess I’ll Finally Watch the Star Wars Trilogy (Part Two)
After quarantine-watching Episode IV, comedian Anna Roisman braces herself for an even bigger step into the unknown: the sequels.
If It’s the End of the World, I Guess I’ll Finally Watch the Star Wars Trilogy (Part One)
Locked down in NYC, comedian Anna Roisman finally addresses a glaring omission in her cinematic viewing history.
How Portrait of a Lady on Fire Radically Reimagines the Past
Filmmaker Cosmo Collins Salovaara on Céline Sciamma's revolutionary lesbian period piece, which presents a very contemporary take on the 18th century.
My Problems with Picard
Director and longtime Star Trek fan Aaron Katz struggles with the sci-fi franchise's latest offering, but isn’t ready to give up on it yet.
Underrated/Overlooked: Nick Simon on Crawl
Horror director Simon addresses the alligator in the room: how Alexandre Aja's movie is a creature feature for the ages.
Underrated/Overlooked: Stephen Winter on Clara’s Ghost
Jason and Shirley's director on his favorite film of 2019, Bridey Elliott's unconventional comedy drama starring her own family.











