film column

With echoes of classic Lumet and two outstanding central performances, Shades of Blue is a rare welcome addition to the crowded cop show genre.

Age 11, Zach Clark loved this macabre tale about trying to destroy "normal" America. More than 20 years on, he discovers he still feels the same way.

LaBruce writes a love letter to the film, featuring a dark, defining performance by Diane Keaton, which prompted his teenage sexual awakening.

Jim Hemphill casts his ballot in favor of the latest entry in James DeMonaco's unlikely franchise, which portrays an America devoid of heroes.

Hidden away on Freeform (formerly ABC Family), one of the best political shows on TV right now isn’t even (overtly) about politics.

The envelope-pushing auteur kicks off his new Talkhouse column by writing about a Faye Dunaway vehicle that ignited his passion for cinema.

On Liberace's birthday, Zach Clark writes about Soderbergh's biopic of the flamboyant entertainer, which is about to leave Amazon Prime.

Jim Hemphill finds a dense, complex TV show, hidden in plain sight on network television, that digs deep into the current political moment.

Zach Clark sings the praises of one of his all-time favorite movies, M83 member Yann Gonzalez's consciously cinematic orgy film.

Jim Hemphill looks at how Joe Dante’s unnervingly prescient absurdist satire anticipated the current political climate in the U.S.

Zach Clark kicks off his new column on films about to depart your streaming queue with a personal take on the subject.