feminism

The guitarist of iconic post-punks Gang of Four finds Sleater-Kinney flouting staid ideas about what women should do with voices and guitars.

The drug kingpin trope is as embedded in the rap canon as cocaine residue in the ridges of an addict’s key, but Gibbs delivers a nuanced perspective.

One of the most financially successful female directors ever addresses the gender bias and double standards that women in Hollywood must overcome.

At a recent arena show, Nicki Minaj performed with flawless sweat, exorcised her sensitive side and offered her audience something precious: hope.

Questing and questioning, reevaluating form and proportion, and rethinking the drums, Deradoorian's debut album is the sound of going forward — fast.

Can a film about young woman's violent and self-destructive acting out against the patriarchy make the best of its difficult material?

The earnest singer-songwriters of the '90s might be deeply uncool now, but they were also massively important.

JD Samson loves the new Go! Team album, but she has some issues with its press campaign.

In today’s episode of The Talkhouse Music Podcast, Janet Weiss and Meredith Graves discuss agency and the emotional cost of making music.

The NYC-based animator and director paints a vivid picture of the new big screen outing for a TV toon favorite.

The guitarist of iconic post-punks Gang of Four finds Sleater-Kinney flouting staid ideas about what women should do with voices and guitars.

Azar Swan’s singer talks about the feeling of having the music you love held against you.