Directing

Writer-director David Midell outlines how his past work as a teacher and therapist drew him to make The Killing of Kenneth Chamberlain.

Gregory’s Girl director Bill Forsyth on his overlooked 1989 crime caper, in which Reynolds showed he was a great actor, not just a movie star.

Or why Daniel Scheinert made his film The Death of Dick Long in small-town Alabama with community involvement and sustainability at the fore.

The prolific Japanese director celebrates the release of his new movie, First Love, by talking about what makes life better for him.

Richard Gray on how he went from being an Aussie kid who loved Braveheart to revisiting characters from that film in a movie of his own.

The writer-directors of the new movie Villains are kind of heroes when it comes to their ideas about how to run a film set.

Writer-director Michael Tyburski charts the unexpectedly long journey he took to make his new movie, The Sound of Silence.

For writer-director Aaron Schimberg, finding the right way to describe his latest feature, Chained for Life, has been challenging.

Writer-director David Raymond shares some of the key lessons he learned making his debut feature, the star-studded thriller Night Hunter.

Perception writer-director Ilana Rein shares the wild tale of her darkest moments in the "hope-industrial complex" of the indie film world.

The writer-directors of The Farewell and The Square have an enthralling, continent-spanning conversation.

Coyote Lake's Mexican writer-director Sara Seligman on her complicated feelings about making a film with Latino villains in the present era.