Directing

Writer-director Jessica Hausner looks back on a pivotal, make-or-break moment during production on her new film, Little Joe.

How a moment of personal crisis ignited David Guy Levy’s need to make his new film, The Mandela Effect.

Luigi Campi, the writer-director of My First Kiss and the People Involved, on some of the "appropriated" images in his new film.

Writer-director Yen Tan on his how his cultural identity has shifted since coming to the U.S., and what it means for him to make Asian-American films.

Indian celebrity chef turned filmmaker Vikas Khanna recounts the journey he took making his first feature as writer-director, The Last Color.

Writer-director David Midell outlines how his past work as a teacher and therapist drew him to make The Killing of Kenneth Chamberlain.

Gregory’s Girl director Bill Forsyth on his overlooked 1989 crime caper, in which Reynolds showed he was a great actor, not just a movie star.

Or why Daniel Scheinert made his film The Death of Dick Long in small-town Alabama with community involvement and sustainability at the fore.

The prolific Japanese director celebrates the release of his new movie, First Love, by talking about what makes life better for him.

Richard Gray on how he went from being an Aussie kid who loved Braveheart to revisiting characters from that film in a movie of his own.

The writer-directors of the new movie Villains are kind of heroes when it comes to their ideas about how to run a film set.

Writer-director Michael Tyburski charts the unexpectedly long journey he took to make his new movie, The Sound of Silence.