Directing

Richard Gray on how he went from being an Aussie kid who loved Braveheart to revisiting characters from that film in a movie of his own.

The writer-directors of the new movie Villains are kind of heroes when it comes to their ideas about how to run a film set.

Writer-director Michael Tyburski charts the unexpectedly long journey he took to make his new movie, The Sound of Silence.

For writer-director Aaron Schimberg, finding the right way to describe his latest feature, Chained for Life, has been challenging.

Writer-director David Raymond shares some of the key lessons he learned making his debut feature, the star-studded thriller Night Hunter.

Perception writer-director Ilana Rein shares the wild tale of her darkest moments in the "hope-industrial complex" of the indie film world.

The writer-directors of The Farewell and The Square have an enthralling, continent-spanning conversation.

Coyote Lake's Mexican writer-director Sara Seligman on her complicated feelings about making a film with Latino villains in the present era.

Actor Joseph Cross on how he fulfilled a childhood ambition by directing his first movie, thanks to a crew who went above and beyond.

Jasmin Mozaffari on the roots of her debut feature, Firecrackers, and her proudly disruptive mission to topple the patriarchy through cinema.

Miss Arizona writer-director Autumn McAlpin on the very challenging realities of trying to balance art with life obligations.

As she develops new feature projects, writer-director Vashti Anderson wonders, are female filmmakers being given the chance to take risks too?