Directing
What I Learned Working on Californication
Melissa Stephens, creator of the new series Finding the Asshole, looks back at her formative experiences on the raunchy cable show.
Revisited: Guillermo del Toro (The Shape of Water) Talks with William Friedkin (The Devil and Father Amorth) for the Talkhouse Podcast (Part 1)
What happens when two longtime friends — who also just happen to be Academy Award-winning directors — sit down for a chat?
Revisited: Guillermo del Toro (The Shape of Water) Talks with William Friedkin (The Devil and Father Amorth) for the Talkhouse Podcast (Part 2)
The two Academy Award-winning directors discuss Friedkin's gripping new documentary, and life's big questions.
Everyone Sees Different Things: Remembering Nicolas Roeg
Simon Rumley, on whose film Crowhurst Nicolas Roeg was an executive producer, pays tribute to the late, great director.
Blurring the Edges: Sharon Van Etten’s “Jupiter 4”
Katherine Dieckmann on directing Sharon Van Etten's new music video, the echoes that haunt it, her friendship with Van Etten, and more.
Reuniting Friends Through Movies
Angela Shelton shares the amazing story of how her film Heart, Baby! changed the lives of its protagonists – in the most unlikely way possible.
Waking Up Back in the Movie Business
Stacy Cochran on 9/11, motherhood, her Rip Van Winkle experience, and making her new film, Write When You Get Work, after nearly 20 years away.
How Running Makes Me a Better Artist
Victoria Negri is a writer-director. She also is a serious runner. As she explains, the two disciplines are inherently interconnected for her.
Blueprints to Get Lost
Director Antonio Méndez Esparza on the wisdom of Robert Bresson, and working with non-actors, including on his new film, Life and Nothing More.
My Dinner with Hervé, Anvil! and the Stories I Tell
Writer-director Sacha Gervasi on his new film, My Dinner with Hervé, and drawing inspiration for his work from real life and lived experience.
With Steady Hands
Alexandria Bombach on the emotional toll of making On Her Shoulders, her portrait of Nobel Peace Prize-winning Yazidi activist Nadia Murad.
Getting Uncomfortable
Director Marilyn Ness on the precarious balancing act involved in making her documentary on gun violence, Charm City.











