coronavirus
“Where Else Can I Go?” Or, How I Reckoned With My Movie Almost Completely Falling Apart On Day One
Writer-director Michael Felker looks back on the disastrous first week of his debut feature, Things Will Be Different.
How to Create in Darkness and (Mostly) Stay Sane
Pascal Plante on plumbing the depths with his psychological thriller Red Rooms (which opens in theaters today), and living to tell the tale.
My Serendipitous Stint as Fishmonger-Filmmaker
Emily Packer on working at the Union Square market while making her debut feature, Holding Back the Tide, which opens this week in NYC.
The Ride of My Life
Actor-writer-director Jake Allyn shares the emotional journey of making his new movie, which is now in theaters and on demand.
The Industry is in Crisis, But Make Something Anyway
Despite all the challenges creatives face at the moment, Laura Hunter Drago is finding a way to get her work out there.
“Then … a Volcano Erupted”
Emily MacKenzie and Noah Collier recall a particularly challenging shoot on the new documentary, Carpet Cowboys.
Making Sure Every Voice is Heard
Director Devin Fei-Fan Tau on the social currents that shaped his topical new thriller, Half Sisters.
The Brazilian Actress and the Covid Quarantine Camp (Or, The Miraculous Making of The Modelizer)
Actor-writer Byron Mann on the remarkable sequence of events that led to him being able to make his new movie, which is out now in theaters.
“Not Great!” Or, How I Fought COVID Claustrophobia While Writing My Apartment-Bound Jewish Folk-Horror Romance Attachment
Gabriel Bier Gislason talks about the script struggles he went through with his new movie, streaming from February 10 on Shudder.
How to Wait
Between the years it took to get made and then COVID-related delays, his debut movie Three Months taught Jared Frieder a lot about patience.
My Dream Role and Tango in the Time of Corona
Actress Cristina Rosato, currently starring in Turner & Hooch, shares her indelible experiences on the upcoming film Ariel.
When Movie Theaters Return
Julia Marchese looks ahead to the time when watching a film will once again be a communal and transformative experience.











