Béla Tarr
Watching Sátántangó at the End of the World
Filmmaker Jesse Noah Klein on the very particular, resonant experience of seeing Béla Tarr's seven-hour-plus masterpiece during a global pandemic.
What I Learned Working with Jean-Luc Godard, Béla Tarr and Alex Cox
At the end of the day, writes Gavagai's writer-director Rob Tregenza, it's all dependent cinema.
Why My Favorite Movies are the Ones Everyone Else Walks Out Of
Matthew Wilder explains why his favorite cinematic genre — difficult movies — are both so gratifying and so hugely misunderstood.
