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"We emulate films and films emulate us and that becomes the norm.”—Natalia Leite
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Tag: an oversimplification of her beauty

Terence Nance (An Oversimplification of Her Beauty) Talks F. Gary Gray’s Straight Outta Compton

Film
By Terence Nance | August 21, 2015
By Terence Nance | August 21, 2015

Terence Nance (An Oversimplification of Her Beauty) Talks F. Gary Gray’s Straight Outta Compton

A rap response to the box-office hit biopic about N.W.A.’s cultural ascent.

Terence Nance (An Oversimplification of Her Beauty) Talks Ryan Gosling’s Lost River

Film
By Terence Nance | April 15, 2015
By Terence Nance | April 15, 2015

Terence Nance (An Oversimplification of Her Beauty) Talks Ryan Gosling’s Lost River

From the email archives of the auteur Terence Nance, a few constructive notes on a cut of a movie prior to its premiere at the Cannes Film Festival...

Terence Nance (An Oversimplification of Her Beauty) Talks Taika Waititi and Jemaine Clement’s What We Do in the Shadows

Film
By Terence Nance | February 13, 2015
By Terence Nance | February 13, 2015

Terence Nance (An Oversimplification of Her Beauty) Talks Taika Waititi and Jemaine Clement’s What We Do in the Shadows

Two Kiwi comic geniuses mash up Christopher Guest and the vampire genre to create a cinematic sitcom about the bourgeois undead.

Terence Nance (An Oversimplification of Her Beauty) Talks Wes Anderson’s The Grand Budapest Hotel

Film
By Terence Nance | January 12, 2015
By Terence Nance | January 12, 2015

Terence Nance (An Oversimplification of Her Beauty) Talks Wes Anderson’s The Grand Budapest Hotel

A letter from one filmmaker to another, suggesting an ongoing tutelage and mentorship that would take the form of a letter-writing exchange.

Terence Nance (An Oversimplification of Her Beauty) Talks Jeremy Xido’s Death Metal Angola

Film
By Terence Nance | November 12, 2014
By Terence Nance | November 12, 2014

Terence Nance (An Oversimplification of Her Beauty) Talks Jeremy Xido’s Death Metal Angola

The traumatic aftermath of colonial rule is explored in this vérité documentary about an Angolan orphanage and the rock concerts it organizes.

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