album reviews
Jonathan Meiburg (Shearwater) Talks David Bowie’s The Next Day
Even if you're a hardened, embittered Bowie fan who isn't interested by much after Scary Monsters, I think you'll find that his new album...
Vijay Iyer Talks Flying Lotus’ Until the Quiet Comes
To listen to this album on headphones is to be air-dropped into a teeming megacity in 2017: industrial runoff, overgrown wild vegetation...
Jana Hunter (Lower Dens) Talks Oneida’s A List of the Burning Mountains
Listening to someone else take what is more or less a familiar palette (guitars, drums, synths, but no vocals) and effectively express something...
Andrew W.K. Talks Robert Pollard’s Jack Sells the Cow
I've just finished listening to Robert Pollard's newest solo album , and I'm devastated. I'm overwhelmed by its excellence...
Laurie Anderson Talks Animal Collective’s Centipede Hz
First of all, I hate to admit it but you might as well know it right off: the more it sounds like "Grass" (my favorite Animal Collective song)...
Kip Berman (The Pains of Being Pure at Heart) Talks Kim Jung Mi’s Now
There’s a small bar in Seoul whose shelves are lined with Korean LPs from the ‘60s and ‘70s. My friend Kelly Pratt had played Seoul back when he...
Elizabeth Sankey (Summer Camp) Talks Pink’s The Truth About Love
Here are a few things you might not know about Pink. She was dropping acid aged 12. At 13 she was cooking up K in the kitchen while her mother was...
Dessa Talks Fiona Apple’s The Idler Wheel Is Wiser than the Driver of the Screw and Whipping Cords Will Serve You More than Ropes Will Ever Do
I’ve liked Fiona Apple’s stuff since I was a teenager. But I was surprised to find myself so invested in her comeback — reading the previews...
Jarrett Dougherty (Screaming Females) Talks Swearin’s Swearin
People approach music with different sets of ears. Many listen for a pleasing melody or a danceable beat. Others seek out artists who push...








