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Talkhouse

Shaina Feinberg (she/her) is an award-winning American filmmaker and writer. She spent her twenties making a stoner, punk sketch show called The Spew. She has been on This American Life, was a resident at Space on Ryder Farms (2018) and Twenty Summers (2021), a Reel Families for Change grantee (2022) and a recipient of the Reboot Studios grant (2023). Her film My Mom&#8217;s Eggplant Sauce (2022) played festivals around the world, including Hot Docs, Rotterdam International Film Festival and Palm Springs, won her a Best Director award and is featured on Short of the Week. Her short doc A Brief History of Hating My Face (2023), was commissioned by the New York Times. Her film Cleo From 8:20 to 2:35 premiered at the Aspen Film Festival (2024). Shaina is the author of three books, has written for The New Yorker, The Washington Post and Tablet and writes regularly for the New York Times. Her films and books have been written about in The New Yorker, The New York Times, Bust, Broadly, Logo, THEM, Indiewire and more. She is currently working on a film about Joan Darling, the first woman to be nominated for an Emmy in directing. She lives in Brooklyn with her partner and their two children.

Shaina Feinberg

Film

Revisited: 9½ Weeks, Fatal Attraction and Me

9½ Weeks, Fatal Attraction and Me

Bruce LaBruce is a filmmaker, writer, photographer and artist based in Toronto, Canada. Recently there have been retrospectives of his films at the TIFF Bell Lightbox in Toronto and at MoMA in New York City. His latest feature, The Misandrists, will be released in 2018.

Bruce LaBruce

Bruce LaBruce’s Academy of the Underrated: Foxes

Jim Hemphill is the writer and director of the award-winning film <a href="https://www.facebook.com/troublewiththetruth/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.facebook.com/troublewiththetruth/&amp;source=gmail&amp;ust=1567688259834000&amp;usg=AFQjCNEfdWVn5INQ2VaFYkDfqCAJ1hDMVw">The Trouble With the Truth</a>, which is currently streaming on <a href="https://amzn.to/2Q20O6F" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://amzn.to/2Q20O6F&amp;source=gmail&amp;ust=1567688259834000&amp;usg=AFQjCNE0fujkM407hiTH5e2ZBjQK8VSaCA">Amazon Prime</a> and other platforms. He has written about movies and television for Filmmaker magazine, American Cinematographer and Film Comment, and is the author of The Art and Craft of TV Directing: Conversations with Episodic Television Directors. He also serves as a film historian at the Academy of Motion Picture Arts and Sciences and has contributed audio commentaries to DVDs and Blu-rays for Indicator, Shout Factory, the BFI, and other home video labels. His website is <a href="http://www.jimhemphillfilms.com/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://www.jimhemphillfilms.com/&amp;source=gmail&amp;ust=1567688259834000&amp;usg=AFQjCNHaS2u3V0GTADaZ-lbaGzXANhioeQ">www.jimhemphillfilms.com</a>.

Jim Hemphill

Second Screen: The Catch’s Effortless Style Conceals Its True Brilliance

Adrian Lyne